Porcelain enamel on underside of tray
<span class="gray">Tray:</span> 12 1/2 x 18 7/8 in. (31.7 x 48 cm)<div class="div_addlDim"><span class="gray">Image:</span> 8 3/8 x 16 9/16 in. (21.3 x 42.1 cm)</div>
Signed upper right: rf Lichtenstein
Classification: enamel (unique)

Enamel

In this catalogue, works classified as enamel are made from powdered glass fired and fused to a metal substrate; the medium is also known as porcelain enamel.

Lichtenstein’s enamels include unique and editioned works of various sizes. At first, the artist worked through Ben Birillo, primarily with Architectural Porcelain Fabricators, Inc. of Orangeburg, New York.

Lichtenstein also produced works with enamel components that fall under the separate classifications sculpture, jewelry and prints.

Dates

Conception date is based on the year the prototype, used for fabrication, was completed. Fabrication date(s) follow the conception date in parentheses. Dates for unique enamels are the year of completion of the artwork.

Media Lines

Medium is given as porcelain enamel and support is steel or perforated steel. Metal identification has not been confirmed, but Lichtenstein is quoted stating that his enamels were made on steel (Coplans 1967b, p. 12). Perforated steel was supplied by Beckley Perforating Co. of Garwood, New Jersey, and possibly others.

Inscriptions

Editioned enamels are inconsistently signed, dated and/or numbered by the artist on the verso, usually in white paint or black marker.

Large Editions

The large editions RLCR 1202, Sunrise from 7 Objects in a Box and RLCR 1554, Modern Head Pendant are presented in single entries without documentation of all individual pieces, as only select pieces were examined. Location information is not provided unless a work is known to be in a museum collection. Information is based on fabricator papers (RLF Archives) and the authors’ research.

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Catalogue entry

Artwork: Hot Dog Tray #1, 1964 (RLCR 878)
RLCR 878 (RL 1210)
Status: Research Pending
Hot Dog Tray #1
1964
Title Source
RLF
Alternate title and source: Hot Dog (RL Studio Card)
Media
Porcelain enamel on underside of tray
Tray is porcelain enamel on metal
Dimensions
Tray: 12 1/2 x 18 7/8 in. (31.7 x 48 cm)
Image: 8 3/8 x 16 9/16 in. (21.3 x 42.1 cm)
Inscriptions
Signed upper right: rf Lichtenstein
Remarks

Dimensions per Galerie 1900-2000, Paris.

There are conflicting accounts as to where this tray came from. According to Ben Birillo, who helped the artist with fabrication, Lichtenstein was given a meat tray by a butcher shop near his home in Brooklyn. Birillo worked on the enamel with the artist and believed he was going to be given the tray. It was instead given to Stanley Landsman.

Galerie 1900-2000 had the work authenticated by Lichtenstein in 1988 when a different story emerged. According to their accounts, Lichtenstein took the tray home from a hospital after visiting his friend Landsman and hearing him complain about the food. He returned it as a gift with the enameled hot dog image.

Keyword
Commercial imagery
Research Images
Hot Dog Tray #1, 1964 (RLCR 878). Detail of signature
Detail of signature
Related Works
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Provenance
Stanley Landsman, New York City, c. 1964 (artist gift)
Estate of Stanley Landsman, New York City, 1984
(William Doyle Galleries, Inc., New York, November 13, 1986, lot 27)
Galerie 1900-2000, Paris
Geneviève and Jean-Paul Kahn collection, Paris
{Piasa, Paris, June 5, 2024, The Geneviève and Jean-Paul Kahn Collection: From Surrealism to Pop , lot 69}
Exhibitions
Galerie 1900–2000/Galerie de Poche, Paris, Pop Art: Roy Lichtenstein, Claes Oldenburg, James Rosenquist, Andy Warhol, Tom Wesselmann, February 29–March 19, 1988 (Galerie 1900–2000 1988, no. 4 color ill.).
Literature
Cabanne, Pierre. "Trés Cher Pop Art." Fortune (Paris), no. 7 (September 1988), p. 94 color ill. (upside down).
Celant, Germano. Roy Lichtenstein Sculptor. Milan: Skira Editore for Fondazione Emilio e Annabianca Vedova, 2013. Exhibition catalogue (2013 Venice Vedova), fig. 29 p. 34 color ill. [not exhibited].
Celant, Germano. Roy Lichtenstein Sculptor. Milan: Skira Editore for Fondazione Emilio e Annabianca Vedova, 2013. Exhibition catalogue (2013 Venice Vedova), fig. 29 p. 34 color ill. [not exhibited].

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