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Oil, graphite pencil on canvas
48 3/16 x 48 1/8 in. (122.4 x 122.2 cm)
Initialed lower right: rfl

Catalogue entry

Artwork: I Can See the Whole Room! ... And There's Nobody in It!, 1961 (RLCR 639)
RLCR 639 (LC 10; RL 0062)
I Can See the Whole Room! ... And There's Nobody in It!
1961
Title Source
RLF
Alternate titles and sources: I Can See the Whole Room ... And There's Nobody in It (Castelli); I Can See the Whole Room and There's Nobody in It... (RL Studio Card); Whole Room (RL Register)
Media
Oil, graphite pencil on canvas
Dimensions
48 3/16 x 48 1/8 in. (122.4 x 122.2 cm)
Inscriptions
Initialed lower right: rfl
Keyword
Cartoons
Provenance
Burton and Emily Tremaine, Meriden, Conn., November 1961 (via Leo Castelli Gallery, New York City)
(Christie's, New York, November 9, 1988, Contemporary Art from The Tremaine Collection, sale 6722, lot 27)
Private collection, New York
(Christie's, New York, November 8, 2011, sale 2480, lot 34)
Private collection
Exhibitions
1962 Hartford Wadsworth
Wadsworth Atheneum, Hartford, Connecticut, American Painting and Sculpture from Connecticut Collections, July 25–September 9, 1962.
1963 New York Guggenheim
Solomon R. Guggenheim Museum, New York, Six Painters and the Object, March 14–June 12, 1963 (only New York) (Alloway 1963b). Traveled to: Los Angeles County Museum of Art, Los Angeles, Calif., July 24–August 25, 1963 (with a supplementary exhibition titled Six More); Minneapolis Institute of Arts, Minneapolis, Minn., September 3–29, 1963; University of Michigan Museum of Art, Ann Arbor, Mich., October 9–November 3, 1963 (with a supplementary exhibition titled A New Realist Supplementary) (Sachs, Samuel 1963); Rose Art Museum, Brandeis University, Waltham, Mass., November 18–December 29, 1963 (Sachs, Samuel 1963); Carnegie Institute, Pittsburgh, Pa., January 17–February 23, 1964 (Sachs, Samuel 1963); Columbus Gallery of Fine Arts, Columbus, Ohio, March 8–April 5, 1964 (Sachs, Samuel 1963); The Art Center in La Jolla, La Jolla, Calif., April 20–May 17, 1964 (Sachs, Samuel 1963).
1964 Middletown, Conn, Davison
Davison Art Center, Wesleyan University, Middletown, Connecticut, The New Art, March 1–22, 1964 (Green 1964).
1969b New York MMA
Metropolitan Museum of Art, New York, New York Painting and Sculpture: 1940–1970, October 18, 1969–February 1, 1970 (Geldzahler 1969, no. 228 p. 216 b/w ill.).
1978 Stamford Museum
Stamford Museum, Stamford, Connecticut, The Eye of the Collector: Contemporary Art, March 20–May 21, 1978.
1980 New York Pace
Pace Gallery (32 East 57th Street), New York, Eight Painters of the 60s: Selections from the Tremaine Collection, March 28–April 26, 1980.
1983 New York Whitney Downtown
Whitney Museum of American Art, Downtown Branch at Federal Hall National Monument, New York, The Comic Art Show: Cartoons in Painting and Popular Culture, July 13–August 31, 1983 (Carlin and Wagstaff, Sheena 1983, p. 69 b/w ill.).
1984 Hartford Wadsworth
Wadsworth Atheneum, Hartford, Connecticut, The Tremaine Collection: 20th Century Masters, The Spirit of Modernism, February 26–April 29, 1984 (Wadsworth 1984, p. 99 color ill.).
1985 Sydney AGNSW
Art Gallery of New South Wales, Sydney, Pop Art 1955–70, February 27–April 14, 1985 (Geldzahler 1985, p. 60 color ill.). Traveled to: Queensland Art Gallery, Brisbane, Australia, April 30–June 2, 1985; National Gallery of Victoria, Melbourne, Australia, June 25–August 11, 1985.
1985 New York Gagosian
Larry Gagosian Gallery (521 West 23rd Street), New York, Pop Art from the Tremaine Collection, October 4–November 16, 1985.
Literature
Berg 1961
Berg, Paul. "About-Face from the Abstract." St. Louis Post-Dispatch Sunday Pictures, December 31, 1961, p. 10 b/w ill. (as Peephole; in collectors' home).
Loran 1963b
Loran, Erle. "Pop Artists or Copy Cats?" ARTnews 62, no. 5 (September 1963), p. 61 b/w ill.
Hultén 1964
Hultén, Pontus. Amerikansk Pop-Konst: 106 former av kärlek och förtvivlan. Stockholm: Moderna Museet, 1964. Exhibition catalogue (1964 Stockholm Moderna Museet), p. 19 b/w ill. (in pink), [not exhibited].
Roberts, C. 1967
Lichtenstein, Roy, and Colette Roberts. "Interview de Roy Lichtenstein." Aujourd'hui: Art et architecture 10, nos. 55–56 (December 1966–January 1967), no. 9 p. 127 b/w ill. (foldout).
Boime 1968
Boime, Albert. "Roy Lichtenstein and the Comic Strip." Art Journal 28, no. 2 (Winter 1968–69), no. 1 p. 156 b/w ill.
Compton 1970
Compton, Michael. Pop Art. London: Hamlyn Publishing Group, 1970, no. 100 p. 96 b/w ill. (as I Can See the Whole Room).
Weber, J. 1970
Weber, Jürgen. Pop Art: Happenings und Neue Realisten. Munich: Heinz Moos Verlag, 1970, no. 65 p. 55 b/w ill.
Crespo 1970a
Crespo, Ángel. Roy Lichtenstein y el arte pop. Mayagüez: Universidad de Puerto Rico, 1970. Exhibition catalogue (1970 Mayagüez Universidad de Puerto Rico), no. 2 n.p. b/w ill. [not exhibited].
Crespo 1970b
Crespo, Ángel. "Roy Lichtenstein y el arte pop." Revista de arte/The Art Review (Universidad de Puerto Rico, Mayagüez), no. 5 (June 1970), no. 2 p. 11 b/w ill.
Kettlewood 1972
Kettlewood, Beatrice Card. "A Study of Visual Space in Selected American Paintings 1945–1965: In Relation to the 1970–1972 Paintings of the Artist-Investigator." EdD diss., New York University, New York, 1972, no. 25 p. 138 b/w ill.
Coplans 1972a
Coplans, John, ed. Roy Lichtenstein. New York: Praeger Publishers, 1972, no. 5 n.p. b/w ill.
Dubreuil-Blondin 1980a
Dubreuil-Blondin, Nicole. La Fonction critique dans le Pop Art américain. Montreal: Presses de l'Université de Montréal, 1980, no. 43 n.p. b/w ill.
Staniszewski 1985
Staniszewski, Mary Anne. "Pop's Public Relations." Art and Text, no. 19 (October–December 1985), p. 82 b/w ill.
Busche 1988
Busche, Ernst A. Roy Lichtenstein: Das Frühwerk, 1942–1960. Berlin: Gebr. Mann Verlag, 1988, fig. 160 p. 248 b/w ill. (as I Can See the Whole Room).
Hendrickson 1988
Hendrickson, Janis. Roy Lichtenstein. Cologne: Benedikt Taschen, 1988, p. 78 b/w ill.
Busche 1989
Busche, Ernst A. Roy Lichtenstein: Pop-Paintings, 1961–1969. Schirmer's visuelle Bibliothek 6. Munich: Schirmer/Mosel, 1989, no. 4 n.p. color ill.
Hindry 1991a
Hindry, Ann, ed. Artstudio. Special issue, Roy Lichtenstein, no. 20 (Spring 1991), p. 130 color ill.
Jancène 1997
Jancène, France. "Les mots dans la peinture pop américaine: Jasper Johns, Andy Warhol et Roy Lichtenstein." PhD diss., Université de Paris X, Nanterre, 1997, p. 257 ill.
Clearwater 2001
Clearwater, Bonnie. Roy Lichtenstein: Inside/Outside. North Miami: Museum of Contemporary Art, 2001. Exhibition catalogue (2001 North Miami MOCA), fig. 27 p. 52 color ill. [not exhibited].
Francis, M. 2001
Francis, Mark. Les années pop, 1956–1968. Paris: Gallimard and Centre Georges Pompidou, 2001. Exhibition catalogue (2001 Paris Pompidou), no. 61.28 color ill. [not exhibited].
Lobel 2001
Lobel, Michael. "Technology Envisioned: Lichtenstein's Monocularity." Oxford Art Journal 24, no. 1 (2001), no. 1 p. 134 b/w ill.
Lobel 2002
Lobel, Michael. Image Duplicator: Roy Lichtenstein and the Emergence of Pop Art. New Haven: Yale University Press, 2002, no. 42 p. 76 color ill.
Louisiana revy 2003
Louisiana revy (Humlebaek, Denmark). Special issue, Roy Lichtenstein 44, no. 1 (August 2003), p. 9 color ill.
Reference Material
SRC 21221
Steve Roper
August 6, 1961

Overgard, William (artist), and Allen Saunders (author). Steve Roper (August 6, 1961), Publishers Syndicate.

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