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Acrylic, oil, graphite pencil on canvas
67 5/8 x 66 3/4 in. (171.8 x 169.5 cm)
Signed and dated verso, upper right: rf Lichtenstein / '63

Catalogue entry

Artwork: Drowning Girl, 1963 (RLCR 761) Photo: The Museum of Modern Art/Licensed by SCALA / Art Resource, NY
RLCR 761 (LC 89; RL 0117)
Drowning Girl
1963
Title Source
Castelli; RL Studio Card
Alternate title and source: Help, Drowning Girl (RL Register)
Media
Acrylic, oil, graphite pencil on canvas
Dimensions
67 5/8 x 66 3/4 in. (171.8 x 169.5 cm)
Inscriptions
Signed and dated verso, upper right: rf Lichtenstein / '63
Keyword
Cartoons
Photo: The Museum of Modern Art/Licensed by SCALA / Art Resource, NY
Provenance
Mr. and Mrs. Bagley Wright, Seattle, October 1963 (via Leo Castelli Gallery, New York City; via Ferus Gallery, Los Angeles)
The Museum of Modern Art, New York. Philip Johnson Fund (by exchange) and gift of Mr. and Mrs. Bagley Wright, December 1971. 685.1971
Exhibitions
1963 Los Angeles Ferus
Ferus Gallery, Los Angeles, Roy Lichtenstein, April 1–20, 1963.
1963c New York Castelli
Leo Castelli Gallery (4 East 77th Street), New York, Roy Lichtenstein, September 28–October 24, 1963.
1963 Cleveland Park Synagogue
Park Synagogue, Cleveland, The Third Annual Park Synagogue Art Festival, November 3–10, 1963.
1964 Vancouver Belkin
Morris and Helen Belkin Art Gallery, University of British Columbia, Vancouver, British Columbia, Canada, Art Becomes Reality, January 29–February 8, 1964.
1964 Philadelphia ICA
Institute of Contemporary Art, University of Pennsylvania, Philadelphia, The Atmosphere of '64, April 17–June 1, 1964 (Sharpless 1964, no. 5 p. 9 b/w ill.).
1964 Portland, Ore, Portland Art Museum
Portland Art Museum, Portland, Oregon, Collection of Mr. and Mrs. Bagley Wright: Twentieth Century American and European Paintings and Sculpture, November 8–December 6, 1964 (Portland Art Museum 1964, no. 34 b/w ill.).
1966 Venice Biennale
Venice Biennale, Giardini della Biennale, United States Pavilion, Venice, Italy, Helen Frankenthaler, Ellsworth Kelly, Roy Lichtenstein, Jules Olitski in La Biennale di Venezia, 33. Esposizione Biennale Internazionale d'Arte, June 18–October 16, 1966 (National Collection of Fine Arts 1966, n.p.color ill.). Traveled to: National Collection of Fine Arts, Smithsonian Institution, Washington, D.C., December 1, 1966–January 16, 1967.
1967 Pasadena, Calif, Pasadena Art Museum
Pasadena Art Museum, Pasadena, California, Roy Lichtenstein, April 18–May 28, 1967 (Coplans 1967a, no. 17 p. 18 b/w ill.). Traveled to: Walker Art Center, Minneapolis, Minn., June 23–July 30, 1967.
1967 Amsterdam Stedelijk
Stedelijk Museum, Amsterdam, Roy Lichtenstein, November 4–December 17, 1967 (Stedelijk Museum 1967). Traveled to: Tate Gallery, London, January 6–February 4, 1968 (Tate 1968b, no. 16 p. 32 b/w ill.); Kunsthalle Bern, Bern, Switzerland, February 23–March 31, 1968 (Kunsthalle Bern 1968); (Tate 1968a, no. 20 p. 32 b/w ill.); Kestner-Gesellschaft, Hannover, Germany, April 13–May 19, 1968 (Kestner-Gesellschaft 1968, no. 15 p. 66 b/w ill.).
1968 San Francisco Museum of Art
San Francisco Museum of Art, San Francisco, Untitled, 1968*, November 9–December 29, 1968 (San Francisco Museum 1968).
1969 New York Guggenheim
Solomon R. Guggenheim Museum, New York, Roy Lichtenstein, September 19–November 9, 1969 (Waldman 1969, no. 18 p. 40 b/w ill.). Traveled to: William Rockhill Nelson Gallery of Art and Mary Atkins Museum of Fine Arts, Kansas City, Mo., December 18, 1969–January 16, 1970; Museum of Contemporary Art, Chicago, Ill., February 7–March 22, 1970; Seattle Art Museum, Seattle, Wash., April 10–May 17, 1970; Columbus Gallery of Fine Arts, Columbus, Ohio, July 9–August 30, 1970.
1972b Philadelphia Museum of Art
Philadelphia Museum of Art, Philadelphia, American Art Since 1945, September 15–October 24, 1972.
1980a Brooklyn Museum
Brooklyn Museum, Brooklyn, New York, MoMA at Brooklyn: Paintings from the Twenties to the Seventies, May 17–September 14, 1980.
1985 Sydney AGNSW
Art Gallery of New South Wales, Sydney, Pop Art 1955–70, February 27–April 14, 1985 (Geldzahler 1985, p. 83 color ill, front cover color ill.). Traveled to: Queensland Art Gallery, Brisbane, Australia, April 30–June 2, 1985; National Gallery of Victoria, Melbourne, Australia, June 25–August 11, 1985.
1987 New York BlumHelman
BlumHelman Gallery, New York, Roy Lichtenstein: Pop Masterpieces, 1961–1964, May 5–June 6, 1987 (BlumHelman 1987, no. 7 color ill.).
1990 New York MoMA
Museum of Modern Art, New York, High and Low: Modern Art and Popular Culture, October 7, 1990–January 15, 1991 (Varnedoe and Gopnik 1990a, no. 73 p. 198 color ill.); (Varnedoe and Gopnik 1990b). Traveled to: Art Institute of Chicago, Chicago, Ill., February 23–May 12, 1991; Museum of Contemporary Art, Los Angeles, Calif., June 21–September 15, 1991.
1993 New York Guggenheim
Solomon R. Guggenheim Museum, New York, Roy Lichtenstein: A Retrospective, October 7, 1993–January 16, 1994 (not Munich, Hamburg, Brussels) (Waldman 1993b, no. 106 n.p. facing p. 119 color ill.). Traveled to: Museum of Contemporary Art, Los Angeles, Calif., January 26–April 3, 1994; Musée des Beaux-Arts de Montréal, Montreal, May 26–September 5, 1994; Haus der Kunst, Munich, October 13, 1994–January 9, 1995 (included early works) (Waldman 1994, no. 106 n.p. facing p. 119 color ill.); Deichtorhallen, Hamburg, Germany, February 8–April 30, 1995 (included early works) (Waldman 1994, no. 106 n.p. facing p. 119 color ill.); Palais des Beaux-Arts, Brussels, June 2–September 3, 1995 (included early works) (Waldman 1994, no. 106 n.p. facing p. 119 color ill.); Wexner Center for the Arts, Ohio State University, Columbus, Ohio, September 21, 1995–January 7, 1996 (abridged version) (Waldman 1994, no. 106 n.p. facing p. 119 color ill.).
1998 Riehen Fondation Beyeler
Fondation Beyeler, Riehen, Switzerland, Roy Lichtenstein, May 24–September 27, 1998 (Beyeler [Fondation] 1998, no. 10 p. 45 color ill.).
2000 New York MoMA
Museum of Modern Art, New York, MoMA 2000: Making Choices: Walker Evans and Company, March 16–August 22, 2000 (only Los Angeles) (Galassi 2000, no. 267 p. 211 color ill.). Traveled to: J. Paul Getty Museum, Los Angeles, Calif., July 10–September 16, 2001 (as Walker Evans and Company: Works from the Museum of Modern Art).
2002 New York Gagosian
Gagosian Gallery (555 West 24th Street), New York, Ferus, September 12–October 19, 2002 (Gagosian, New York 2002, p. 97 color ill.).
2007 St. Louis Pulitzer
Pulitzer Foundation for the Arts, St. Louis, Water, July 20, 2007–January 5, 2008 (Pulitzer 2007, color ill. [installation view]).
2012 Chicago Art Institute
Art Institute of Chicago, Chicago, Roy Lichtenstein: A Retrospective, May 16–September 3, 2012 (Rondeau and Wagstaff, Sheena 2012, no. 32 n.p. color ill.). Traveled to: National Gallery of Art, Washington, D.C., October 14, 2012–January 13, 2013; Tate Modern, London, February 21–May 27, 2013 (as Lichtenstein: A Retrospective) (Dunne 2012, no. 30 p. 39 color ill.); Musée National d'Art Moderne, Centre National d'Art et de Culture Georges Pompidou, Paris, July 3–November 4, 2013 (as Roy Lichtenstein, revised and reorganized) (Dunne 2013, no. 30 p. 39 color ill.); (Pompidou 2013, p. 11 color ill.); (Morineau 2013a, no. 20 p. 87 color ill.).
Literature
Domus 1963
"I mercanti d'arte: Leo Castelli, New York: La sua storia, la sua galleria." Domus (Milan), no. 406 (September 9, 1963), p. 48 b/w ill.
McClellan 1963
McClellan, Doug. "Los Angeles: Roy Lichtenstein, Ferus Gallery." Artforum 2, no. 1 (July 1963), p. 45 b/w ill.
Boatto 1964
Boatto, Alberto. "Incontri newyorkesi." La fiera letteraria (Rome) 19, no. 42 (December 6, 1964), p. 11 b/w ill.
Canaday 1964
Canaday, John. "Pop Art Sells On and On—Why?" New York Times Magazine, May 31, 1964, p. 7 b/w ill.
Eklund 1964
Eklund, Hans. "Pop: En seriös historia." Aftonbladet (Stockholm), February 28, 1964, p. 4 b/w ill.
Amaya 1965a
Amaya, Mario. Pop As Art: A Survey of the New Super-Realism. London: Studio Vista, 1965, p. 83 b/w ill.
Bjorkman 1966
Bjorkman, Carol. "Zam! Yves Set to Jolt Paris Today." Women's Wear Daily, August 1, 1966, p. 4 b/w ill.
Boatto and Falzoni 1966
Boatto, Alberto, and Giordano Falzoni, eds. Fantazaria (Rome). Special issue, Lichtenstein 1, no. 2 (July–August 1966), n.p. facing p. 42 b/w ill.
Celant 1966
Celant, Germano. "Esposizioni: XXXIII Biennale internazionale d'arte: Padiglioni stranieri." Casabella, no. 308 (August 1966), no. 3 p. 65 b/w ill.
Il Gazzettino 1966
"Una Biennale divertente." Il Gazzettino (Venice), June 15, 1966, p. 9 ill. (installation view, 1966 Venice Biennale).
Melville 1966
Melville, Robert. "The New Classicism." Architectural Review 139, no. 828 (February 1966), no. 2 p. 145 b/w ill.
Metz 1966
Metz, Kathryn. "The Thirty-Third Venice Biennale of Art." Arts and Architecture 83, no. 9 (October 1966), p. 33 b/w ill.
Hahn 1966a
Hahn, Otto. "Roy Lichtenstein." Translated from the French by Arnold Rosin. Amended by the editor, James Fitzsimmonds. Art International 10, no. 6 (Summer 1966), p. 67 b/w ill.
Solomon, A. 1966a
Solomon, Alan. "American Art between Two Biennales." Metro (Milan), no. 11 (June 1966), no. 5 p. 28 b/w ill.
Johnson, E. 1966b
Johnson, Ellen H. "Lichtenstein at Venice: The Printed Image." Art and Artists Special issue,Venice Biennale Number 1, no. 3 (June 1966), p. 13 b/w ill.
Der Spiegel 1967
"Lichtenstein: Mythos von Mickey." Der Spiegel, December 11, 1967, p. 161 b/w ill.
Het Parool 1967
"Pop Art-pionier Lichtenstein." Het Parool (Amsterdam), November 4, 1967, p. 7 b/w ill.
Blok 1967
Blok, C. "Roy Lichtenstein." Museumjournaal voor moderne Kunst 12, no. 10 (1967), p. 282 b/w ill.
Dalí 1967
Dalí, Salvador. "How an Elvis Presley Becomes a Roy Lichtenstein." Translated from the French by Albert Field. Arts Magazine (New York) 41, no. 6 (April 1967), fig. A p. 27 b/w ill.
Hendrick 1967
Hendrick, Kimmis. "'Which Comics Do You Read, Mr. Lichtenstein?.'" Christian Science Monitor, April 29, 1967, p. 6 b/w ill.
Seldis 1967b
Seldis, Henry J. "Roy Lichtenstein—'Pop' Formalist." Los Angeles Times, April 23, 1967, Calendar, p. 1 b/w ill.
Dunlop 1968
Dunlop, Ian. "Comic-Strip Pictures Pull in the Crowds at the Tate." South Wales Echo (Cardiff), January 15, 1968, p. unavail. b/w ill.
Finch, C. 1968
Finch, Christopher. Pop Art: Object and Image. London: Studio Vista, 1968; New York: E. P. Dutton and Co., 1968, p. 122 b/w ill.
Alloway 1968b
Alloway, Lawrence. "Roy Lichtenstein." Studio International 175, no. 896 (January 1968), p. 27 b/w ill.
Hunter, S. 1969
Hunter, Sam. "Neorealismo, Assemblage, Pop Art in America." L'arte moderna (Milan) 13, no. 112 (1969), p. 159 b/w ill.
Hunter, S. 1970
Hunter, Sam. La pittura americana del dopoguerra. Milan: Fratelli Fabbri Editori, 1970, no. 52 p. 78 color ill.
Kerber 1970
Kerber, Bernhard. Roy Lichtenstein: Ertrinkendes Mädchen. Stuttgart: Reclam, 1970, no. 1 n.p. facing p. 16 color ill., front cover color ill.
Kerber 1971
Kerber, Bernhard. Amerikanische Kunst seit 1945: Ihre theoretischen Grundlagen. Stuttgart: Philipp Reclam Jun., 1971, no. 27 p. 121 b/w ill.
Waldman 1971b
Waldman, Diane. Roy Lichtenstein. New York: Harry N. Abrams, 1971, no. 52 n.p. color ill.
Coplans 1972a
Coplans, John, ed. Roy Lichtenstein. New York: Praeger Publishers, 1972, no. 26 n.p. b/w ill.
Dubreuil-Blondin 1980a
Dubreuil-Blondin, Nicole. La Fonction critique dans le Pop Art américain. Montreal: Presses de l'Université de Montréal, 1980, no. 71 n.p. b/w ill.
Russell, J. 1981
Russell, John. The Meanings of Modern Art. New York: Museum of Modern Art and Harper and Row, 1981, p. 348 color ill.
Hughes, R. 1981b
Hughes, Robert. The Shock of the New. New York: Alfred A. Knopf, Inc., 1981, no. 234 p. 352 color ill.
Alloway 1983b
Alloway, Lawrence. Roy Lichtenstein. New York: Abbeville Press, 1983, no. 20 p. 26 b/w ill.
Singerman 1986
Singerman, Howard, ed. Individuals: A Selected History of Contemporary Art. Los Angeles: Museum of Contemporary Art; New York: Abbeville Press, 1986. Exhibition catalogue (1986 Los Angeles MOCA), p. 302 b/w ill. [not exhibited].
Mahsun 1987
Mahsun, Carol Anne Runyon. Pop Art and the Critics. Studies in the Fine Arts. Ann Arbor: UMI Research Press, 1987, no. 9 p. 44 b/w ill.
Lida 1987a
Lida, David. "Pop Goes the Easel: Roy Lichtenstein." Women's Wear Daily, May 5, 1987, p. 28 b/w ill.
Lida 1987b
Lida, David. "The Prince of Pop." W Magazine (May 18–25, 1987), p. 22 ill.
Hendrickson 1988
Hendrickson, Janis. Roy Lichtenstein. Cologne: Benedikt Taschen, 1988, p. 31 color ill.
Sandler 1988
Sandler, Irving. American Art of the 1960s. New York: Harper & Row, 1988, no. 60 p. 166 b/w ill.
Hindry 1991a
Hindry, Ann, ed. Artstudio. Special issue, Roy Lichtenstein, no. 20 (Spring 1991), p. 23 b/w ill.
Bronfen 1992
Bronfen, Elisabeth. Over Her Dead Body: Death, Femininity and the Aesthetic. Manchester, England: Manchester University Press, 1992, no. 27 p. 214 b/w ill.
Mamiya 1992
Mamiya, Christin J. Pop Art and Consumer Culture: American Super Market. Edited by William H. Goetzmann. Austin: University of Texas Press, 1992, no. 43 p. 90 b/w ill.
Hendra 1993
Hendra, Tony. Brad '61: Portrait of the Artist As a Young Man. New York: Pantheon Books, 1993, p. 62 color ill.
Richardson, E. 1993
Richardson, Elizabeth. "Those Lichtenstein Women." Harper's Bazaar 126, no. 3383 (October 1993), p. 233 color ill.
BT 1994g
BT: Bijutsu techō (Tokyo). Special Issue, Roy Lichtenstein 60's–90's 46, no. 689 (June 1994), pp. 26–27 color ill. (double spread), front cover color ill.
Leslie 1997
Leslie, Richard. Pop Art: A New Generation of Style. New York: Todtri Productions, 1997, p. 55 color ill.
Whiting 1997
Whiting, Cécile. A Taste for Pop: Pop Art, Gender, and Consumer Culture. Cambridge, England: Cambridge University Press, 1997, no. 38 p. 109 b/w ill.
Hughes, R. 1997a
Hughes, Robert. "Breaking the Mold." Time. Special Issue, American Visions (May 21, 1997), p. 84 color ill.
Umland 1998
Umland, Anne. Pop Art: Selections from the Museum of Modern Art. Atlanta: High Museum of Art, 1998. Exhibition catalogue (1998 Albany, N.Y, New York State Museum), p. 51 color ill. [not exhibited].
Serafini 2000
Serafini, Giuliano. Art e Dossier. Special issue, Lichtenstein (Milan), no. 152 (January 2000), p. 27 color ill.
Clearwater 2001
Clearwater, Bonnie. Roy Lichtenstein: Inside/Outside. North Miami: Museum of Contemporary Art, 2001. Exhibition catalogue (2001 North Miami MOCA), fig. 7 p. 25 color ill. [not exhibited].
Lobel 2002
Lobel, Michael. Image Duplicator: Roy Lichtenstein and the Emergence of Pop Art. New Haven: Yale University Press, 2002, no. 89 p. 142 color ill.
Louisiana revy 2003
Louisiana revy (Humlebaek, Denmark). Special issue, Roy Lichtenstein 44, no. 1 (August 2003), p. 6 color ill. [not exhibited].
Collins, B. 2003
Collins, Bradford R. "Modern Romance: Lichtenstein's Comic Book Paintings." American Art (Smithsonian American Art Museum) 17, no. 2 (Summer 2003), no. 13 p. 72 color ill.
Palmer Museum 2003
Palmer Museum of Art, Pennsylvania State University. Through the Looking Glass: Women and Self-Representation in Contemporary Art. University Park, Pa.: Palmer Museum of Art, Pennsylvania State University, 2003. Exhibition catalogue, p. 13 color ill. [not exhibited].
Holm, Tøjner, and Caiger-Smith 2003a
Holm, Michael Juul, Poul Erik Tøjner, and Martin Caiger-Smith, eds. Roy Lichtenstein: All about Art. Humlebaek, Denmark: Louisiana Museum of Modern Art, 2003. Exhibition catalogue (2003 Humlebaek Louisiana), p. 21 color ill. [not exhibited].
Holm, Tøjner, and Caiger-Smith 2003b
Holm, Michael Juul, Poul Erik Tøjner, and Martin Caiger-Smith, eds. Roy Lichtenstein: All about Art. Humlebaek, Denmark: Louisiana Museum of Modern Art, 2003. Exhibition catalogue (2003 Humlebaek Louisiana), p. 21 color ill. [not exhibited].
Fedders 2005
Fedders, Kristin Utter. "Pop Art at the 1964/65 New York World's Fair." PhD diss., University of Pennsylvania, Philadelphia, 2005, no. 85 p. 305 ill.
Wattolik 2005a
Wattolik, Eva. Die Parodie im Frühwerk Roy Lichtensteins: Comic-Gemälde 1961–1964. Weimar: Verlag und Datenbank für Geisteswissenchaften, 2005, no. 7 p. 145 color ill., front cover color ill.
Gagosian, New York 2010
Gagosian Gallery, New York. Roy Lichtenstein: Still Lifes. New York: Gagosian Gallery, 2010. Exhibition catalogue (2010 New York Gagosian), fig. 3 p. 65 color ill. [not exhibited].
Bader 2011a
Bader, Graham. "Emptied Gesture: Roy Lichtenstein's 'Brushstrokes.'" Artforum International 49, no. 10 (Summer 2011), p. 348 color ill.
Faton-Boyancé 2013
Faton-Boyancé, Jeanne, ed. L'objet d'art. Special issue, Roy Lichtenstein exposition au Centre Pompidou, no. 69 (July 2013), p. 19 color ill.
Morel 2013
Morel, Francis, ed. Connaissance des arts. Special issue, Roy Lichtenstein, no. 589 (July–August 2013), p. 7 color ill.
Pommereau 2013
Pommereau, Claude, ed. Roy Lichtenstein au Centre Pompidou. Issy-les-Moulineaux, France: Beaux Arts Éditions, 2013, p. 46 color ill.

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RLF AND ITS AFFILIATES, MANAGERS, OFFICERS, EMPLOYEES, CONTRACTORS, AGENTS, VOLUNTEERS, AND ADVISORS, WHETHER IN SUCH CAPACITIES OR INDIVIDUALLY, AND THE HEIRS, SUCCESSORS AND ASSIGNS OF EACH OF THEM (TOGETHER, THE “COVERED PARTIES”) ARE NOT LIABLE FOR ANY CLAIM OF ANY NATURE WHATSOEVER BASED ON LOSS OR INJURY BECAUSE OF ERRORS, OMISSIONS, INTERRUPTIONS, OR INACCURACIES IN THE SITE OR ANY CONTENT AVAILABLE THROUGH IT, INCLUDING LOSS OR INJURY THAT RESULTS FROM YOUR BREACH OF ANY PROVISION OF THESE TERMS.

UNDER NO CIRCUMSTANCES WILL RLF OR THE COVERED PARTIES BE LIABLE FOR ANY DIRECT, INDIRECT, INCIDENTAL, CONSEQUENTIAL, SPECIAL, PUNITIVE, OR EXEMPLARY DAMAGES (INCLUDING LOST REVENUES OR PROFITS, LOSS OF BUSINESS, OR LOSS OF DATA) ARISING OUT OF OR IN CONNECTION WITH YOUR USE OF THE SITE OR CONTENT OR THESE TERMS, REGARDLESS OF THE THEORY OF LIABILITY, WHETHER TORT (INCLUDING NEGLIGENCE), CONTRACT, OR ANY OTHER LEGAL OR EQUITABLE THEORY, EVEN IF RLF HAS BEEN ADVISED OF THE POSSIBILITY OF SUCH DAMAGES.  OUR AGGREGATE LIABILITY TO YOU FOR ANY USE OF, OR INABILITY TO USE, THE SITE OR CONTENT IS LIMITED TO $1000. SOME STATES DO NOT ALLOW THE LIMITATION OF LIABILITY FOR THESE KINDS OF DAMAGES, SO THESE LIMITATIONS OR EXCLUSIONS MAY NOT APPLY TO YOU.

Indemnification

You agree to indemnify, defend and hold harmless RLF and the Covered Parties from and against all demands, loss, liability, claims or expenses (including attorneys’ fees) made against RLF and the Covered Parties arising out of your use of the Site, its Content, or violation of these Terms.

Infringing Material

RLF respects the intellectual property of others and expects users to do the same.  As to allegedly infringing copyrighted works, we comply with the take down and counter notification provisions of the Digital Millennium Copyright Act (“DMCA”), 17 U.S.C.A. § 512, as set forth below. 

We reserve the right to remove or disable access to any Content claimed to be infringing, at any time at our sole discretion, without notice or liability.  In appropriate circumstances, we will also terminate users of the Site who are repeat infringers.

If you believe that Content has been used in a way that constitutes copyright infringement, please provide our designated agent, whose contact information is listed below, with a written notice containing all of the following information (“DMCA Notice”):

  • A physical or electronic signature of a person authorized to act on behalf of the owner of an exclusive right that is allegedly infringed;
  • Identification of the copyrighted work claimed to have been infringed;
  • Identification of the Content that is claimed to be infringing or to be the subject of infringing activity, and information reasonably sufficient to permit us to locate such Content on our Site (such as the URL to each page on the Site containing allegedly infringing material);
  • Information reasonably sufficient to permit us to contact you, such as an address, telephone number, and, if available, an email address;
  • a statement that you have a good faith belief that use of the Content in the manner complained of is not authorized by the copyright owner, its agent, or the law; and
  • a statement that the information in your notice is accurate and, under penalty of perjury, that you are authorized to act on behalf of the owner of an exclusive right that is allegedly infringed.

Our agent designated to receive DMCA Notices may be contacted as follows:

[email protected]

Changes to the Terms

RLF may change these Terms from time to time by posting an updated version on this web page, or, if we determine that it is appropriate, we may provide other notice to you.  Your continued use of the Site after we post updated Terms means that you accept and agree to such Terms.  We recommend checking back on this web page regularly if you use the Site.

Termination

We reserve the right to terminate the Site, these Terms, and any Content, and your access to the Site and/or the Content, at any time without notice, for any reason.  The “Reliance on Information Posted,” “Copyright & Trademark,” “Inclusions in Catalogue Raisonné (or Lack Thereof),” “Additional Disclaimers,” “Limitation of Liability,” “Indemnification,” and “Governing Law” sections of these Terms (along with this provision and any other provision that by its terms contemplates survival) survive any termination of these Terms.

Governing Law

These Terms are the complete agreement between you and RLF regarding your use of the Site and is governed by applicable federal laws and the laws of the State of New York applicable to agreements made and completely performed there.  Any dispute arising out of or in connection with these Terms shall be subject to the exclusive jurisdiction and venue of the United States District Court for the Southern District of New York located in the Borough of Manhattan in the City of New York or, only if such court does not have subject-matter jurisdiction, the Supreme Court of the State of New York, New York County.

You irrevocably agree to bring any claim or dispute relating to your use of the Site and these Terms exclusively in the state and federal courts located in New York, to submit to the exclusive jurisdiction of those courts, and to waive any jurisdictional, venue, inconvenient forum, or other objections to those courts.  

Other

Section titles and headings are for convenience only and have no legal or contractual effect.  The failure of RLF to exercise or enforce any right or provision of the Terms shall not constitute a waiver of such right or provision.  If a court of competent jurisdiction determines that any provision of these Terms is unenforceable for any reason, then that provision will be deleted and the remaining provisions of these Terms will be enforceable to the fullest extent permitted by law.

Questions

Please email [email protected] with any questions you may have about these Terms.

Accept Terms & Conditions