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Acrylic, oil, graphite pencil on canvas (two joined panels)
<span class="gray">Overall:</span> 68 1/8 x 159 13/16 in. (173 x 405.9 cm)<div class="div_addlDim"><span class="gray">Both panels:</span> 68 1/16 x 79 15/16 in. (172.9 x 203 cm) (approx.)</div>
Signed and dated each panel verso, top center: rf Lichtenstein / '63

Catalogue entry

Artwork: Whaam!, 1963 (RLCR 808) Photo: Tate
RLCR 808 (LC 113; RL 0137)
Whaam!
1963
Title Source
RL Studio Card
Alternate titles and sources: Whaam (RL Register); Wham (RL Register)
Media
Acrylic, oil, graphite pencil on canvas (two joined panels)
Dimensions
Overall: 68 1/8 x 159 13/16 in. (173 x 405.9 cm)
Both panels: 68 1/16 x 79 15/16 in. (172.9 x 203 cm) (approx.)
Inscriptions
Signed and dated each panel verso, top center: rf Lichtenstein / '63
By artist left panel verso, upper right: LEFT PANEL; right panel verso, upper right: RIGHT PANEL. Each panel stretcher: WHAAM! / MAGNA & OIL
Keyword
Cartoons
Photo: Tate
Related Works
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Provenance
Tate Gallery, London, December 1966. T00897 (via Leo Castelli Gallery, New York City; via Galerie Ileana Sonnabend, Paris)
Exhibitions
1963c New York Castelli
Leo Castelli Gallery (4 East 77th Street), New York, Roy Lichtenstein, September 28–October 24, 1963.
1963 Buffalo Albright-Knox
Albright-Knox Art Gallery, Buffalo, New York, Mixed Media and Pop Art, November 19–December 15, 1963 (Smith, Gordon 1963).
1964 Paris Musée d'Art Moderne
Musée d'Art Moderne de la Ville de Paris, Paris, XXe Salon de mai, May 16–June 7, 1964 (Salon de mai 1964, no. 102 p. 16 b/w ill.).
1964 Hague Gemeentemuseum
Haags Gemeentemuseum, The Hague, the Netherlands, Nieuwe Realisten, June 24–August 31, 1964 (Gemeentemuseum 1964, no. 95 p. 35 b/w ill.).
1964 Vienna Museum des 20. Jh.
Museum des 20. Jahrhunderts, Vienna, Pop, etc., September 19–October 31, 1964 (Hofmann 1964b, no. 84 p. 55 b/w ill.).
1964 Berlin Akademie
Akademie der Künste, Berlin, Neue Realisten und Pop Art, November 20, 1964–January 3, 1965 (Hofmann 1964a).
1965 Brussels Palais des Beaux-Arts
Palais des Beaux-Arts, Brussels, Pop Art — Nouveau Réalisme — etc. . ., February 5–March 1, 1965 (Palais des Beaux-Arts 1965).
1965 Turin Sperone
Gian Enzo Sperone, Turin, Italy, Pop: Dine, Lichtenstein, Oldenburg, Pistoletto, Rauschenberg, Rosenquist, Warhol, Wesselmann, June 11–July 1965 (Sperone 1965, b/w ill.).
1967 Amsterdam Stedelijk
Stedelijk Museum, Amsterdam, Roy Lichtenstein, November 4–December 17, 1967 (Stedelijk Museum 1967, no. 22 color ill. [double spread]). Traveled to: Tate Gallery, London, January 6–February 4, 1968 (Tate 1968b, no. 21 pp. 30–31 color ill. [double spread], front cover color ill. [detail]); Kunsthalle Bern, Bern, Switzerland, February 23–March 31, 1968 (Kunsthalle Bern 1968, no. 20 color ill. [double spread]); (Tate 1968a, no. 19 p. 30 color ill. [double spread], front cover color ill. [detail]); Kestner-Gesellschaft, Hannover, Germany, April 13–May 19, 1968 (Kestner-Gesellschaft 1968, no. 20 pp. 68–69 color ill. [double spread]).
1969 New York Guggenheim
Solomon R. Guggenheim Museum, New York, Roy Lichtenstein, September 19–November 9, 1969 (only New York) (Waldman 1969, no. 25 pp. 48–49 color ill. [double spread]). Traveled to: William Rockhill Nelson Gallery of Art and Mary Atkins Museum of Fine Arts, Kansas City, Mo., December 18, 1969–January 16, 1970; Museum of Contemporary Art, Chicago, Ill., February 7–March 22, 1970; Seattle Art Museum, Seattle, Wash., April 10–May 17, 1970; Columbus Gallery of Fine Arts, Columbus, Ohio, July 9–August 30, 1970.
1990 New York MoMA
Museum of Modern Art, New York, High and Low: Modern Art and Popular Culture, October 7, 1990–January 15, 1991 (only New York) (Varnedoe and Gopnik 1990a, no. 79 pp. 204-205 color ill. [double spread]); (Varnedoe and Gopnik 1990b). Traveled to: Art Institute of Chicago, Chicago, Ill., February 23–May 12, 1991; Museum of Contemporary Art, Los Angeles, Calif., June 21–September 15, 1991.
1992 Pully-Lausanne FAE
FAE Musée d'Art Contemporain, Pully-Lausanne, Switzerland, Roy Lichtenstein, September 26, 1992–January 31, 1993 (Michetti-Prod'Hom and Edelman 1992, pp. 34–35 color ill. [double spread]). Traveled to: Tate Liverpool, Liverpool, United Kingdom, February 17–April 18, 1993 (Tate Liverpool 1993, pp. 26–27 color ill. [double spread]).
1993 New York Guggenheim
Solomon R. Guggenheim Museum, New York, Roy Lichtenstein: A Retrospective, October 7, 1993–January 16, 1994 (only New York) (Waldman 1993b, no. 90 n.p. color ill. [double spread]). Traveled to: Museum of Contemporary Art, Los Angeles, Calif., January 26–April 3, 1994; Musée des Beaux-Arts de Montréal, Montreal, May 26–September 5, 1994; Haus der Kunst, Munich, October 13, 1994–January 9, 1995 (included early works) (Waldman 1994, no. 90 n.p. color ill. [double spread]); Deichtorhallen, Hamburg, Germany, February 8–April 30, 1995 (included early works) (Waldman 1994, no. 90 n.p. color ill. [double spread]); Palais des Beaux-Arts, Brussels, June 2–September 3, 1995 (included early works) (Waldman 1994, no. 90 n.p. color ill. [double spread]); Wexner Center for the Arts, Ohio State University, Columbus, Ohio, September 21, 1995–January 7, 1996 (abridged version) (Waldman 1994, no. 90 n.p. color ill. [double spread]).
1997 New York Whitney
Whitney Museum of American Art, New York, Views from Abroad: European Perspectives on American Art 3: American Realities, July 11–October 5, 1997 (Serota, Nairne, and Weinberg 1997, p. 11 b/w ill, front and back cover [detail, pink]).
1998 Riehen Fondation Beyeler
Fondation Beyeler, Riehen, Switzerland, Roy Lichtenstein, May 24–September 27, 1998 (Beyeler [Fondation] 1998, no. 15 p. 43 color ill. [double spread]).
2003 Humlebaek Louisiana
Louisiana Museum of Art, Humlebaek, Denmark, Roy Lichtenstein: All about Art, August 22, 2003–January 18, 2004 (Holm, Tøjner, and Caiger-Smith 2003a, no. 19 n.p. color ill. [double spread]). Traveled to: Hayward Gallery, London, February 26–May 16, 2004 (as Roy Lichtenstein); Museo Nacional Centro de Arte Reina Sofía, Madrid, June 24–September 27, 2004 (as Roy Lichtenstein) (Holm, Tøjner, and Caiger-Smith 2003b, no. 19 n.p. color ill. [double spread]); San Francisco Museum of Modern Art, San Francisco, Calif., October 20, 2004–February 22, 2005 (as Roy Lichtenstein) (Holm, Tøjner, and Caiger-Smith 2003b, no. 19 n.p. color ill. [double spread]).
2012 Chicago Art Institute
Art Institute of Chicago, Chicago, Roy Lichtenstein: A Retrospective, May 16–September 3, 2012 (Rondeau and Wagstaff, Sheena 2012, no. 36 n.p. color ill. [double spread]). Traveled to: National Gallery of Art, Washington, D.C., October 14, 2012–January 13, 2013; Tate Modern, London, February 21–May 27, 2013 (as Lichtenstein: A Retrospective) (Dunne 2012, no. 31 pp. 40–41 color ill. [double spread]); Musée National d'Art Moderne, Centre National d'Art et de Culture Georges Pompidou, Paris, July 3–November 4, 2013 (as Roy Lichtenstein, revised and reorganized) (Dunne 2013, no. 31 pp. 40–41 color ill. [double spread]); (Pompidou 2013, pp. 12–13 color ill. [double spread]); (Morineau 2013a, no. 13 p. 81 color ill. [double spread]).
Literature
Dienst 1965
Dienst, Rolf-Gunter. Pop-Art: Eine kritische Information. Wiesbaden: Rudolph Bechtld, 1965, n.p. b/w ill.
Frigerio 1965
Frigerio, Simone. "Les expositions à l'étranger." Aujourd'hui art et architecture 9, no. 49 (April 1965), p. 46 b/w ill.
Der Spiegel 1967
"Lichtenstein: Mythos von Mickey." Der Spiegel, December 11, 1967, p. 161 b/w ill.
Blok 1967
Blok, C. "Roy Lichtenstein." Museumjournaal voor moderne Kunst 12, no. 10 (1967), p. 283 b/w ill.
Melville 1967
Melville, Robert. "Battlepieces and Girls." Architectural Review 141, no. 842 (April 1967), no. 1 p. 289 b/w ill.
Roberts, C. 1967
Lichtenstein, Roy, and Colette Roberts. "Interview de Roy Lichtenstein." Aujourd'hui: Art et architecture 10, nos. 55–56 (December 1966–January 1967), no. 1 p. 124 b/w ill.
Causey 1968
Causey, Andrew. "Art and the Popular." Illustrated London News, January 20, 1968, p. 26 ill.
Hamilton, R. 1968
Hamilton, Richard. "Roy Lichtenstein." Studio International 175, no. 896 (January 1968), p. 24 color ill.
Kozloff 1969
Kozloff, Max. "Lichtenstein at the Guggenheim." Artforum 8, no. 3 (November 1969), p. 42 b/w ill.
Compton 1970
Compton, Michael. Pop Art. London: Hamlyn Publishing Group, 1970, frontispiece color ill., front and back endpapers b/w ill. (detail).
Metken 1970
Metken, Günter. Comics. Frankfurt am Main and Hamburg: Fischer Bücherei, 1970, pp. 180–181 b/w ill. (double spread).
Weber, J. 1970
Weber, Jürgen. Pop Art: Happenings und Neue Realisten. Munich: Heinz Moos Verlag, 1970, no. 73 p. 59 b/w ill.
Lichtenstein, R. 1971
Lichtenstein, Roy. [no title]. Edited by Christian Bourgois. Kitsch (Paris: Marie Concorde Editeur), no. 2 (February 1971), pp. 46–47 b/w ill. (double spread).
Waldman 1971b
Waldman, Diane. Roy Lichtenstein. New York: Harry N. Abrams, 1971, no. 72 n.p. color ill. (double spread), front and back cover color ill.
Kettlewood 1972
Kettlewood, Beatrice Card. "A Study of Visual Space in Selected American Paintings 1945–1965: In Relation to the 1970–1972 Paintings of the Artist-Investigator." EdD diss., New York University, New York, 1972, no. 26 p. 140 b/w ill.
Davidson, A. 1974
Davidson, Abraham A. "Painting in the 1960s." In The Story of American Painting, by Abraham A. Davidson. New York: H.N. Abrams, 1974, no. 138 pp. 150–151 color ill. (double spread).
Lucie-Smith 1977
Lucie-Smith, Edward. Art Today: From Abstract Expressionism to Superrealism. Oxford, England: Phaidon Press, 1977, no. 163 pp. 208–209 color ill. (double spread).
Thomas, Denis 1977
Thomas, Denis. Battle Art: Images of War. Oxford, England: Phaidon Press; New York: E. P. Dutton and Co, 1977, p. 93 color ill. (sideways).
Collins, J. et al. 1983
Collins, Judith, John Welchman, David Chandler, and David Anfam. Techniques of Modern Artists. London and Sydney: MacDonald and Co., 1983, p. 148 color ill.
Alloway 1983b
Alloway, Lawrence. Roy Lichtenstein. New York: Abbeville Press, 1983, no. 24 p. 28 color ill.
Kunzle 1984
Kunzle, David. "Pop Art As Consumerist Realism." Studies in Visual Communication 10, no. 2 (Spring 1984), no. 6 p. 23 b/w ill.
Wosk 1984
Wosk, J. H. "The Aeroplane in Art." Art and Artists, no. 219 (December 1984), p. 26 b/w ill.
Palais des Beaux–Arts, Charleroi 1985
Palais des Beaux-Arts, Charleroi. Autour de la B.D. Charleroi: Palais des Beaux-Arts; Brussels: Lebeer-Hossmann, 1985. Exhibition catalogue (1985 Charleroi Palais des Beaux-Arts), pp. 116–117 b/w ill. (double spread), [not exhibited].
Adler, E. 1986
Adler, Edward Jerome. "American Painting and the Vietnam War." PhD diss., School of Education, Health, Nursing, and Arts Professions, New York University, New York, 1986, no. 103 p. 489 b/w ill.
Hendrickson 1988
Hendrickson, Janis. Roy Lichtenstein. Cologne: Benedikt Taschen, 1988, n.p. facing p. 23 color ill.
Steiner 1988
Steiner, Wendy. "Divide and Narrate: Seurat, Warhol, and Lichtenstein." In Pictures of Romance: Form against Context in Painting and Literature. Chicago: University of Chicago Press, 1988, no. 41 p. 163 b/w ill.
Von Hassell 1988
Von Hassell, Christa. "Atelierbesuch: Ein Pop-Star kommt zurück." Pan (Offenburg), no. 7 (September 1988), p. 64 color ill.
Busche 1989
Busche, Ernst A. Roy Lichtenstein: Pop-Paintings, 1961–1969. Schirmer's visuelle Bibliothek 6. Munich: Schirmer/Mosel, 1989, no. 20 n.p. color ill. (double spread).
Berri 1990
Berri, Claude. Claude Berri recontre Leo Castelli. Edited by Ann Hindry. Paris: Renn, 1990, p. XXVI color ill. (double spread).
Livingstone 1990
Livingstone, Marco. Pop Art: A Continuing History. 1st ed. New York: Harry N. Abrams, 1990, no. 169 pp. 120–121 color ill. (double spread).
Hindry 1991a
Hindry, Ann, ed. Artstudio. Special issue, Roy Lichtenstein, no. 20 (Spring 1991), n.p. following p. 115 color ill. (double spread).
Mamiya 1992
Mamiya, Christin J. Pop Art and Consumer Culture: American Super Market. Edited by William H. Goetzmann. Austin: University of Texas Press, 1992, no. 45 p. 92 b/w ill.
Cork 1993
Cork, Richard. "Strips to tease the establishment." Times (London), February 19, 1993, p. 31 b/w ill.
Hendra 1993
Hendra, Tony. Brad '61: Portrait of the Artist As a Young Man. New York: Pantheon Books, 1993, pp. 50–51 color ill. (double spread).
Vernissage Köln 1994
Vernissage Köln. Special issue, Roy Lichtenstein in München, no. 9 (September 1994), pp. 26–27 color ill. (double spread).
James, J. 1996
James, Jamie. Pop Art: Colour Library. London: Phaidon Press, 1996, no. 24 n.p. facing p. 78 color ill. (sideways).
Cork 1997
Cork, Richard. "Roy Lichtenstein: The Last Interview." Times (London), October 4–10, 1997, Metro, p. 26 ill.
Jancène 1997
Jancène, France. "Les mots dans la peinture pop américaine: Jasper Johns, Andy Warhol et Roy Lichtenstein." PhD diss., Université de Paris X, Nanterre, 1997, p. 92 ill.
Kijima 1997
Kijima, Shunsuke. The Appeal of Modern Art: Surveying the Art of the 20th Century. The Great History of Art. Kyoto: Dōhōsha Shuppan, 1997, p. 133 color ill.
Leslie 1997
Leslie, Richard. Pop Art: A New Generation of Style. New York: Todtri Productions, 1997, pp. 40–41 color ill. (double spread).
Whiting 1997
Whiting, Cécile. A Taste for Pop: Pop Art, Gender, and Consumer Culture. Cambridge, England: Cambridge University Press, 1997, no. 34 p. 106 b/w ill.
Danto 1998
Danto, Arthur C. "American Realities." Artforum 36, no. 5 (January 1998), p. 92 color ill.
Crook and Learner 1999
Crook, Jo, and Tom Learner. "Roy Lichtenstein." In The Impact of Modern Paints. London: Tate Gallery Publishing, 1999, no. 104 pp. 114-115 color ill. (double spread).
Hendricks, N. 2000
Hendricks, Norine S. "Pop Goes the Artist: Roy Lichtenstein." Timeline (Columbus: Ohio Historical Society) 17, no. 5 (September–October 2000), pp. 28–29 color ill. (double spread).
Serafini 2000
Serafini, Giuliano. Art e Dossier. Special issue, Lichtenstein (Milan), no. 152 (January 2000), p. 31 color ill.
Louisiana revy 2003
Louisiana revy (Humlebaek, Denmark). Special issue, Roy Lichtenstein 44, no. 1 (August 2003), no. 19 n.p. color ill. (double spread).
Collins, B. 2003
Collins, Bradford R. "Modern Romance: Lichtenstein's Comic Book Paintings." American Art (Smithsonian American Art Museum) 17, no. 2 (Summer 2003), no. 17 pp. 78–79 color ill. (double spread).
Gedda 2003
Gedda, Emilia. "Roy Lichtenstein." Konstvärlden & Disajn (Stockholm), no. 4 (2003), p. 47 color ill.
Nilsson 2003
Nilsson, Michael. "The King of Pop: Roy Lichtenstein." Spirit Magazine (Malmö), no. 3 (2003), p. 26 color ill.
Wattolik 2005a
Wattolik, Eva. Die Parodie im Frühwerk Roy Lichtensteins: Comic-Gemälde 1961–1964. Weimar: Verlag und Datenbank für Geisteswissenchaften, 2005, no. 24 p. 156 color ill.
Naivin 2006
Naivin, Bertrand. "Corps abstrait ou la représentation du corps dans le Pop Art américain à travers l'oeuvre d'Andy Warhol, Roy Lichtenstein, Tom Wesselmann, Allen Jones et Mel Ramos." PhD diss., Université de Paris VIII, Paris, 2006, p. 29 color ill.
Bader 2010b
Bader, Graham. Hall of Mirrors: Roy Lichtenstein and the Face of Painting in the 1960s. Cambridge, Mass.: MIT Press, 2010, no. 3.17 p. 111 b/w ill.
Bader 2011a
Bader, Graham. "Emptied Gesture: Roy Lichtenstein's 'Brushstrokes.'" Artforum International 49, no. 10 (Summer 2011), p. 347 color ill.
Faton-Boyancé 2013
Faton-Boyancé, Jeanne, ed. L'objet d'art. Special issue, Roy Lichtenstein exposition au Centre Pompidou, no. 69 (July 2013), pp. 20–21 color ill. (double spread).
Morel 2013
Morel, Francis, ed. Connaissance des arts. Special issue, Roy Lichtenstein, no. 589 (July–August 2013), pp. 52–53 color ill. (double spread).
Pommereau 2013
Pommereau, Claude, ed. Roy Lichtenstein au Centre Pompidou. Issy-les-Moulineaux, France: Beaux Arts Éditions, 2013, pp. 24–25 color ill. (double spread).
Celant 2013a
Celant, Germano. Roy Lichtenstein Sculptor. Milan: Skira Editore for Fondazione Emilio e Annabianca Vedova, 2013. Exhibition catalogue (2013 Venice Vedova), no. 19 p. 63 b/w ill. (with artist), [not exhibited].
Celant 2013b
Celant, Germano. Roy Lichtenstein Sculptor. Milan: Skira Editore for Fondazione Emilio e Annabianca Vedova, 2013. Exhibition catalogue (2013 Venice Vedova), no. 19 p. 63 b/w ill. (with artist), [not exhibited].

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You agree to indemnify, defend and hold harmless RLF and the Covered Parties from and against all demands, loss, liability, claims or expenses (including attorneys’ fees) made against RLF and the Covered Parties arising out of your use of the Site, its Content, or violation of these Terms.

Infringing Material

RLF respects the intellectual property of others and expects users to do the same.  As to allegedly infringing copyrighted works, we comply with the take down and counter notification provisions of the Digital Millennium Copyright Act (“DMCA”), 17 U.S.C.A. § 512, as set forth below. 

We reserve the right to remove or disable access to any Content claimed to be infringing, at any time at our sole discretion, without notice or liability.  In appropriate circumstances, we will also terminate users of the Site who are repeat infringers.

If you believe that Content has been used in a way that constitutes copyright infringement, please provide our designated agent, whose contact information is listed below, with a written notice containing all of the following information (“DMCA Notice”):

  • A physical or electronic signature of a person authorized to act on behalf of the owner of an exclusive right that is allegedly infringed;
  • Identification of the copyrighted work claimed to have been infringed;
  • Identification of the Content that is claimed to be infringing or to be the subject of infringing activity, and information reasonably sufficient to permit us to locate such Content on our Site (such as the URL to each page on the Site containing allegedly infringing material);
  • Information reasonably sufficient to permit us to contact you, such as an address, telephone number, and, if available, an email address;
  • a statement that you have a good faith belief that use of the Content in the manner complained of is not authorized by the copyright owner, its agent, or the law; and
  • a statement that the information in your notice is accurate and, under penalty of perjury, that you are authorized to act on behalf of the owner of an exclusive right that is allegedly infringed.

Our agent designated to receive DMCA Notices may be contacted as follows:

[email protected]

Changes to the Terms

RLF may change these Terms from time to time by posting an updated version on this web page, or, if we determine that it is appropriate, we may provide other notice to you.  Your continued use of the Site after we post updated Terms means that you accept and agree to such Terms.  We recommend checking back on this web page regularly if you use the Site.

Termination

We reserve the right to terminate the Site, these Terms, and any Content, and your access to the Site and/or the Content, at any time without notice, for any reason.  The “Reliance on Information Posted,” “Copyright & Trademark,” “Inclusions in Catalogue Raisonné (or Lack Thereof),” “Additional Disclaimers,” “Limitation of Liability,” “Indemnification,” and “Governing Law” sections of these Terms (along with this provision and any other provision that by its terms contemplates survival) survive any termination of these Terms.

Governing Law

These Terms are the complete agreement between you and RLF regarding your use of the Site and is governed by applicable federal laws and the laws of the State of New York applicable to agreements made and completely performed there.  Any dispute arising out of or in connection with these Terms shall be subject to the exclusive jurisdiction and venue of the United States District Court for the Southern District of New York located in the Borough of Manhattan in the City of New York or, only if such court does not have subject-matter jurisdiction, the Supreme Court of the State of New York, New York County.

You irrevocably agree to bring any claim or dispute relating to your use of the Site and these Terms exclusively in the state and federal courts located in New York, to submit to the exclusive jurisdiction of those courts, and to waive any jurisdictional, venue, inconvenient forum, or other objections to those courts.  

Other

Section titles and headings are for convenience only and have no legal or contractual effect.  The failure of RLF to exercise or enforce any right or provision of the Terms shall not constitute a waiver of such right or provision.  If a court of competent jurisdiction determines that any provision of these Terms is unenforceable for any reason, then that provision will be deleted and the remaining provisions of these Terms will be enforceable to the fullest extent permitted by law.

Questions

Please email [email protected] with any questions you may have about these Terms.

Accept Terms & Conditions