Catalogue Terms & Conditions
These Terms and Conditions (“Terms”) set forth the terms and conditions of your use of the digital publication “Roy Lichtenstein: A Catalogue Raisonné” (the “Catalogue Raisonné”) available at www.lichtensteincatalogue.org (the “Site”), a project of the Roy Lichtenstein Foundation (referred to as “RLF,” “us,” “we,” or “our”).
Please read these Terms carefully. By accessing and using the Site, you agree to be bound by and comply with the Terms. If you do not agree to these Terms, you may not access the Site or use any of the information or Content (as defined below) therein.
Reliance on Information Posted
The Content (as defined below) presented on or through the Site is made available solely for general information purposes. We do not make any representation or warranty as to the accuracy, completeness or usefulness of this Content. Any reliance you place on such Content is strictly at your own risk. WE DISCLAIM ALL LIABILITY AND RESPONSIBILITY ARISING FROM ANY RELIANCE PLACED ON THE CONTENT BY YOU OR ANY OTHER VISITOR TO THE SITE, OR BY ANYONE WHO MAY BE INFORMED OF ANY OF ITS CONTENTS.
The Catalogue Raisonné is subject to change. RLF endeavored to make the Catalogue Raisonné as complete as possible as of the time of online publication. As new information and images emerge regarding the works of Roy Lichtenstein, RLF will work to make updates to the Catalogue Raisonné.
Inclusions in Catalogue Raisonné (or Lack Thereof)
Neither RLF nor the Estate of Roy Lichtenstein authenticates artworks, and the inclusion of an artwork in the Catalogue Raisonné does not serve as a warranty or guarantee of that artwork’s authenticity or provenance. In addition, the fact that an artwork has not been included in the Catalogue Raisonné does not necessarily mean that such artwork is not by Roy Lichtenstein.
Copyright & Trademark
“ROY LICHTENSTEIN” is a federally registered trademark of the Estate of Roy Lichtenstein. All other trademarks and trade dress displayed in this website are trademarks and trade dress of the Estate of Roy Lichtenstein, RLF, or of their respective owners. “ROY LICHTENSTEIN” and other trademarks and trade dress used in the website may not be used as trademarks without the prior written authorization of the Estate of Roy Lichtenstein or the respective owners of the trademarks.
All of the content featured or displayed on the Site and in the Catalogue Raisonné, including, but not limited to, images of works of art by Roy Lichtenstein, text, photographs and other materials, as well as the selection and arrangement of materials in the Site (collectively, “Content”), is protected by copyright law and owned by the Estate of Roy Lichtenstein, RLF, or of their respective licensors.
Except as expressly set forth in these Terms, nothing contained on the Site shall be construed as conferring any license or right to any copyright or trademark used on this Site.
Permitted Uses
Provided that you comply with these Terms, we grant you a personal, revocable, limited, non-exclusive, royalty-free, non-transferable, non-sublicensable license to use this Site solely for your personal, non-commercial, educational and research purposes. You may not make any other use of the Site or any of the Content without prior written permission from RLF or the entity(ies) or individual(s) RLF designates for purposes of granting or withholding the relevant permission(s). To request such permission, please contact [email protected].
The images, text and source material in the Site may be protected by third-party copyright or trademark. No license is granted to you under any such third-party rights.
Prohibited Uses
Notwithstanding the foregoing, you may not (i) download, or attempt to download, any reproduction or image of any work of art, (ii) remove or alter any copyright, trademark or other proprietary notices from any of the Content or (iii) modify, translate, decompile, create derivative work(s) of, copy, distribute, or otherwise use in any manner not expressly permitted herein, the Site. Specifically, and by way of illustration and not limitation, you may not separate any graphics, photographs or other elements from the accompanying text or material in the Site without the prior express written permission of RLF and/or its licensor(s).
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You further agree that you will not:
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Registered Users
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Third-Party Content and Links to Third-Party Websites
The Site may contain content of, or links to websites controlled by, third parties (“Third-Party Websites”). We are not responsible for Third-Party Websites or their content, activities or privacy practices. Any information you share or actions you take on Third-Party Websites are governed by those websites’ terms of use and privacy statements, which you should review carefully to learn about their practices. The inclusion of third-party content or links to Third-Party Websites on our Site does not imply our endorsement of Third-Party Websites, their content, or any associated organization or activity. We make no representation or warranty whatsoever about the nature of Third-Party Websites and if you decide to access any other websites linked to or from the Site, you do so entirely at your own risk. WE ARE NOT RESPONSIBLE, OR LIABLE TO YOU OR ANY THIRD PARTY, FOR THE CONTENT OR ACCURACY OF ANY MATERIALS PROVIDED BY ANY THIRD PARTIES.
Frames; Metatags
Unless you obtain our prior written consent in each case, you may not: (A) frame any Content on any other website; or (B) use metatags or any other “hidden text” that incorporates the “ROY LICHTENSTEIN” trademarks, marks confusingly similar to our trademarks, or our name.
Additional Disclaimers
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Limitation of Liability
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Infringing Material
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Changes to the Terms
RLF may change these Terms from time to time by posting an updated version on this web page, or, if we determine that it is appropriate, we may provide other notice to you. Your continued use of the Site after we post updated Terms means that you accept and agree to such Terms. We recommend checking back on this web page regularly if you use the Site.
Termination
We reserve the right to terminate the Site, these Terms, and any Content, and your access to the Site and/or the Content, at any time without notice, for any reason. The “Reliance on Information Posted,” “Copyright & Trademark,” “Inclusions in Catalogue Raisonné (or Lack Thereof),” “Additional Disclaimers,” “Limitation of Liability,” “Indemnification,” and “Governing Law” sections of these Terms (along with this provision and any other provision that by its terms contemplates survival) survive any termination of these Terms.
Governing Law
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Other
Section titles and headings are for convenience only and have no legal or contractual effect. The failure of RLF to exercise or enforce any right or provision of the Terms shall not constitute a waiver of such right or provision. If a court of competent jurisdiction determines that any provision of these Terms is unenforceable for any reason, then that provision will be deleted and the remaining provisions of these Terms will be enforceable to the fullest extent permitted by law.
Questions
Please email [email protected] with any questions you may have about these Terms.
In 1968, Roy Lichtenstein was invited by the Los Angeles County Museum of Art (LACMA) to participate in their experimental Art and Technology program. Curated by Maurice Tuchman, the project placed artists-in-residence with leading California-based industries and exhibited the results of their collaborations. Some of the visiting artists included Claes Oldenburg, Robert Rauschenberg, Andy Warhol, Robert Whitman, and Lichtenstein.
In February 1969, Lichtenstein spent two weeks in residence at Universal Studios in Los Angeles. After touring Universal's film laboratories and special effects facilities he decided to make film loops of sky and water, projected on several screens in the gallery “in such a way that the viewer would not see or interfere with the light source or mechanics of the system, so that the film would appear to exist autonomously, as a painting” (Tuchman, M. 1971a). Rear-projection was deemed the best technology for achieving this effect. A system of mirrors was devised to reduce the distance needed between the projectors and the screens.
After returning to New York, Lichtenstein filmed on Long Island, primarily in Montauk, working with independent filmmaker Joel Freedman of Cinnamon Productions and special-effects expert Hugo Casolaro. After failed experiments with filming sea and sky elements together in a single shot, they settled on combining separate footage. The resulting one-minute film loops collage footage of the sea or a tropical fish tank with still images of the sky divided by a rocking black horizon line.
Lichtenstein was inspired by seeing his kinetic seascapes side-by-side at the Pasadena Art Museum (1967 Pasadena, Calif., Pasadena Art Museum) and strove to replicate this effect on film. Of the originally planned fifteen loops, only four were completed (listed below, numbers assigned by the authors), out of which three were exhibited in the artist’s lifetime. The four completed loops along with abandoned ideas are reflected in sketches drawn by the artist in preparation for the project (RLCR 1791.1-2, RLCR 1792.1-3, RLCR 1797.1-6, RLCR 1798.1-9).
Due to space constraints, only two films (loops 1 and 2) were shown in Osaka; three films (loops 1, 2 and 3) were projected in Los Angeles. LACMA adapted the films to a 16mm format to avoid the expense of running three 35mm projectors.
An installation diagram for the 1971 screening in Los Angeles shows three screens side-by-side, 4 inches apart (Tuchman, M. 1971a). These specifications were mirrored in 2011 in an installation at the Whitney Museum of American Art (2011 New York Whitney), where the newly restored films were shown in their estimated original colors.
Title Three Landscapes per a letter of recommendation by the artist for Joel Freedman, dated April 25, 1969 (RLF Archives). Dates reflect the premieres at the two Osaka Expo venues.