Porcelain enamel on steel
42 x 42 in. (106.7 x 106.7 cm)
Most enamels are signed and dated verso. LC-214, LC-217 and LC-218 are signed, dated and numbered. LC-215 is signed, numbered and dated. LC-216 is signed. LC-229 is not signed, dated or numbered.
Classification: enamel (editioned)
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Catalogue entry

Artwork: Girl in Mirror, c. 1964 (fabricated 1964–65) (RLCR 1008) Photo: Courtesy Phillips London Ed. 3/8
Ed. 3/8
RLCR 1008 (LC 213, LC 214, LC 215, LC 216, LC 217, LC 218, LC 228, LC 229, LC 230, LC 231; RL 0249)
Girl in Mirror
c. 1964 (fabricated 1964–65)
Title Source
Castelli; RL Register; RL Studio Card
Alternate title and source: Girl with Mirror (RL Register)
Media
Porcelain enamel on steel
Dimensions
42 x 42 in. (106.7 x 106.7 cm)
Description
Edition of 8; 2 AP
Fabricator: Architectural Porcelain Fabricators, Inc., Orangeburg, N.Y.
Inscriptions
Most enamels are signed and dated verso. LC-214, LC-217 and LC-218 are signed, dated and numbered. LC-215 is signed, numbered and dated. LC-216 is signed. LC-229 is not signed, dated or numbered.
Ed. 1008.LC-213 (LC 213)
rf Lichtenstein / 1964
Ed. 1008.LC-214 (LC 214)
rf Lichtenstein 1964 4/8
Ed. 1008.LC-215 (LC 215)
rf Lichtenstein / 3/8 1964
Ed. 1008.LC-216 (LC 216)
rf Lichtenstein
Ed. 1008.LC-217 (LC 217)
rf Lichtenstein 1964 / 5/8
Ed. 1008.LC-218 (LC 218)
rf Lichtenstein 1964 / 6/8
Ed. 1008.LC-228 (LC 228)
rf Lichtenstein / 1965
Ed. 1008.LC-229 (LC 229)
Not signed, dated or numbered
Ed. 1008.LC-230 (LC 230)
rf Lichtenstein / 1965
Ed. 1008.LC-231 (LC 231)
rf Lichtenstein / 65
Photo: Courtesy Phillips London
Related Works
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Provenance
Ed. 1008.LC-213 (LC 213)
Private collection, Toronto, December 1964 (via Leo Castelli Gallery, New York City)
Private collection, Argentina 1980 (via Leo Castelli Gallery, New York City, and Peder Bonnier, Inc., New York City)
Mr. and Mrs. Gardner Cowles, New York City, February 1983 (via Peder Bonnier, Inc., New York City and Leo Castelli Gallery, New York City)
Collection of Thomas and Caroline Dean, August 2009 (via Gagosian Gallery, New York City)
Owner unknown, 2019 (via Gagosian Gallery, New York City)
{Phillips X, Phillips, Southampton, N.Y., August 12–September 6, 2022, Roy Lichtenstein: Diana & Ajax}
(Phillips, New York, May 17, 2023, sale NY010323, lot 35)
Ed. 1008.LC-214 (LC 214)
John Nicholas, San Francisco, February 1965 (via Leo Castelli Gallery, New York City; via Ferus Gallery, Los Angeles)
(...)
The Simonyi Collection, Medina, Wash., April 1997 (via David Tunkl Fine Art, Los Angeles)
Ed. 1008.LC-215 (LC 215)
Charles Carpenter, New Canaan, Conn., January 1965 (via Leo Castelli Gallery, New York City)
Max Palevsky, Malibu, Calif., 1973 (via OK Harris, New York City)
Estate of Max Palevsky, Malibu, Calif., 2010
(Christie's, New York, November 10, 2010, sale 2355, lot 45)
Private collection
(Phillips, London, March 7, 2019, sale UK010119, lot 10)
Ed. 1008.LC-216 (LC 216)
Nathan and Esther Gelfman, New York City, c. 1964 (artist sale)
Florence and Marvin Gerstin, Maryland., 1966 (via Ivan Karp, New York City)
(Christie's, New York, November 12, 2014, sale 2891, lot 4)
Ed. 1008.LC-217 (LC 217)
Jack W. and Constance Glenn, Kansas City, Mo., 1964 (via Leo Castelli Gallery, New York City)
Alexander Schonwald, St. Louis, January 1973 (via Leo Castelli Gallery, New York City; via The Greenberg Gallery, St. Louis)
(...)
(Sotheby's, London, June 26, 2012, sale L12022, lot 48)
Ed. 1008.LC-218 (LC 218)
John and Kimiko Powers Collection, Carbondale, Colo., January 1965 (via Leo Castelli Gallery, New York City) [Kimiko Powers, Carbondale, Colo., 1999]
Ryobi Foundation, Carbondale, Colo., 2013 (by transfer)
Ed. 1008.LC-228 (LC 228)
Ben Birillo, New York City, January 1965 (via Leo Castelli Gallery, New York City)
Robert Arnold, New York City
Sydney and Frances Lewis, Richmond, Va., October 1971
Private collection, November 2010
Private collection, July 2011
Ed. 1008.LC-229 (LC 229)
Private collection, Paris, March 1965 (via Leo Castelli Gallery, New York City; via Galerie Ileana Sonnabend, Paris)
Ed. 1008.LC-230 (LC 230)
William N. Copley, New York City, c. 1965 (artist sale)
(Sotheby Parke Bernet, New York, November 6, 1979, The William N. Copley Collection, sale 4298, lot 308)
Elaine and Werner Dannheiser, New York
(Sotheby's, New York, May 5, 1986, sale 5452, lot 44)
Private collection, New York
(Sotheby's, New York, May 15, 2007, sale N08317, lot 20)
Private collection, New York
Ed. 1008.LC-231 (LC 231)
Ora and Sylvain Zucker, Belgium, c. 1971 (via Leo Castelli Gallery, New York City; via Galerie Ileana Sonnabend, Paris)
Collection of Larry and Marla Wasser, Toronto, Ontario, Canada (via James Goodman Gallery, New York City)
Private collection, Italy, May 2007 (via Mitchell-Innes & Nash, New York City; via Eykyn Maclean, New York City)
Exhibitions
Ferus Gallery, Los Angeles, Roy Lichtenstein, November 24–December 5, 1964 (ed. 1008.LC-214 (LC 214)).
Larry Aldrich Museum, Ridgefield, Connecticut, Selections from the John G. Powers Collection Presented by the Larry Aldrich Museum, September 25–December 11, 1966 (Powers 1966). Traveled to: DeCordova Museum, Lincoln, Mass., December 18, 1966–January 15, 1967 (as "Pow – Zap – Varoom!” Paintings, Sculpture, Drawings, Prints from John G. Powers Collection) (ed. 1008.LC-218 (LC 218)).
K-State Union Gallery, Kansas State University, Manhattan, Kansas, Pop Art: From the Private Collection of Mr. and Mrs. Jack Glenn, February 14–March 6, 1967 (ed. 1008.LC-217 (LC 217)).
Stedelijk Museum, Amsterdam, Roy Lichtenstein, November 4–December 17, 1967 (Stedelijk Museum 1967). Traveled to: Tate Gallery, London, January 6–February 4, 1968 (Tate 1968b); Kunsthalle Bern, Bern, Switzerland, February 23–March 31, 1968 (Kunsthalle Bern 1968); (Tate 1968a); Kestner-Gesellschaft, Hannover, Germany, April 13–May 19, 1968 (Kestner-Gesellschaft 1968) (ed. 1008.LC-229 (LC 229)).
Finch College Museum of Art, New York, The Dominant Woman, December 13, 1968–January 26, 1969 (Gutman 1968, b/w ill.).
Corcoran Gallery of Art, Washington, D.C., Ten Years: The Friends of the Corcoran, October 23–November 21, 1971 (Corcoran 1971a) (ed. 1008.LC-216 (LC 216)).
Greenberg Gallery, St. Louis, Roy Lichtenstein, January 2–31, 1973 (ed. 1008.LC-217 (LC 217)).
Jack Glenn Gallery, San Diego, Roy Lichtenstein, September 1973 (ed. 1008.LC-217 (LC 217)).
Palais des Beaux-Arts, Brussels, American Art in Belgium, May 25–August 28, 1977 (Palais des Beaux-Arts 1977) (ed. 1008.LC-231 (LC 231)).
Chrysler Museum, Norfolk, Virginia, American Figure Painting, 1950–1980, October 17–November 30, 1980 (Styron 1980, p. 97 b/w ill.).
Galería de Artemúltiple, Buenos Aires, Argentina, Arte Norteamericano Contemporáneo, April 28–May 26, 1981 (Martín-Crosa 1981) (ed. 1008.LC-213 (LC 213)).
Student Center Gallery and Clara Hatton Gallery, Colorado State University, Fort Collins, Colorado, Roy Lichtenstein at Colorado State University, April 1–30, 1982 (Williams, Ron 1982) (ed. 1008.LC-218 (LC 218)).
Palais des Beaux-Arts, Charleroi, Belgium, Autour de la B.D., January 12–March 3, 1985 (Palais des Beaux–Arts, Charleroi 1985) (ed. 1008.LC-231 (LC 231)).
Elefanten Press Galerie, Berlin, Unbekannte Wesen: Frauen in den 60er Jahren, March 6–May 31, 1987 (Becker, B. and Schmidt, M. 1987, front cover color ill.).
Setagaya Art Museum, Tokyo, Beyond the Frame: American Art, 1960–1990, July 6–August 18, 1991 (Gumpert and Wallis 1991). Traveled to: National Museum of Art, Osaka, Japan, August 29–September 29, 1991; Fukuoka Art Museum, Fukuoka, Japan, November 15–December 15, 1991 (ed. 1008.LC-228 (LC 228)).
Solomon R. Guggenheim Museum, New York, Roy Lichtenstein: A Retrospective, October 7, 1993–January 16, 1994 (only Brussels) (Waldman 1993b). Traveled to: Museum of Contemporary Art, Los Angeles, Calif., January 26–April 3, 1994; Musée des Beaux-Arts de Montréal, Montreal, May 26–September 5, 1994; Haus der Kunst, Munich, October 13, 1994–January 9, 1995 (included early works) (Waldman 1994); Deichtorhallen, Hamburg, Germany, February 8–April 30, 1995 (included early works) (Waldman 1994); Palais des Beaux-Arts, Brussels, June 2–September 3, 1995 (included early works) (Waldman 1994); Wexner Center for the Arts, Ohio State University, Columbus, Ohio, September 21, 1995–January 7, 1996 (abridged version) (Waldman 1994).
Aspen Institute, Aspen, Colorado, Roy Lichtenstein Exhibit at the Aspen Institute, July 16–September 30, 1997 (ed. 1008.LC-218 (LC 218)).
Centro Cultural de Belém, Lisbon, Portugal, The Pop '60s: Travessia transatlântica/Transatlantic Crossing, September 11–November 17, 1997 (Livingstone 1997, no. 78 p. 113 b/w ill.).
Chiostro del Bramante, Rome, Roy Lichtenstein, Riflessi/Reflections, December 20, 1999–April 2, 2000 (Waldman 1999). Traveled to: Padiglione d'Arte Contemporanea, Milan, April 20–June 25, 2000; Kunstmuseum Wolfsburg, Wolfsburg, Germany, September 16, 2000–January 21, 2001 (as Roy Lichtenstein: Spiegelbilder, 1963–1997) (Waldman 2000a) (ed. 1008.LC-213 (LC 213)).
Seattle Art Museum, Seattle, Seattle Collects Lichtenstein, January 20–May 14, 2000 (ed. 1008.LC-217 (LC 217)).
Gagosian Gallery (980 Madison Avenue), New York, Lichtenstein: Girls, May 12–June 28, 2008 (Gagosian, New York 2008) (ed. 1008.LC-218 (LC 218)).
Vancouver Art Gallery, Vancouver, British Columbia, Canada, KRAZY! The Delirious World of Anime + Comics + Video Games + Art, May 17–September 7, 2008 (Grenville 2008) (ed. 1008.LC-214 (LC 214)).
National Art Center, Tokyo, American Pop Art from the John and Kimiko Powers Collection, August 7–October 21, 2013 (National Art Center, Tokyo 2013) (ed. 1008.LC-218 (LC 218)).
Literature
"'Girl in Mirror' painted by Roy Lichtenstein." Cosmopolitan Magazine 158, no. 5 (May 1965), p. 117 color ill.
Fagiolo dell-Arco, Maurizio. "La ragione pura-practica di Lichtenstein." Collage, no. 6 (1965), no. 2 n.p. facing p. 64 b/w ill.
Orlando, Ruggero (Photographs by Duilio Pallottelli). "Il pennello nell'occhio: A che punto è la Pop Art un anno dopo le polemiche della Biennale." L'Europeo (Milan) vol. 21, no. 51 (December 19, 1965), p. 45 color ill. (with artist in studio).
Alfieri, Bruno. "La condizione dell'arte: ‘Pop' uguale ‘non popolare'/The Arts' Condition: ‘Pop' Means ‘Not Popular.'" Metro (Milan), no. 9 (April 1965), p. 5 b/w ill. (as Girl with Mirror).
Antin, David. "'Pop': Ein paar klärende Bemerkungen." Das Kunstwerk 19, no. 10–12 (April–June 1966), n.p. b/w ill. (installation view).
Boatto, Alberto, and Giordano Falzoni, eds. Fantazaria (Rome). Special issue, Lichtenstein 1, no. 2 (July–August 1966), front cover color ill. (ed. 1008.LC-230 (LC 230)).
Johnson, Ellen H. "The Image Duplicators: Lichtenstein, Rauschenberg, and Warhol." Canadian Art 23, no. 1 (January 1966), p. 12 color ill.
Russell, John. "Zoom in on the Classics." Sunday Times (London), January 14, 1968, p. 50 b/w ill. (detail).
Alloway, Lawrence. "Roy Lichtenstein." Studio International 175, no. 896 (January 1968), p. 27 b/w ill. (ed. 1008.LC-229 (LC 229)).
Lipman, Jean and the editors of Art in America, New York. The Collector in America. New York: A Studio Book, Viking Press, 1970, n.p. facing p. 226 color ill. (in collectors' home). (ed. 1008.LC-217 (LC 217)).
Weber, Jürgen. Pop Art: Happenings und Neue Realisten. Munich: Heinz Moos Verlag, 1970, no. 68 p. 57 b/w ill.
Tono, Yoshiaki, ed. Art Now. Vol. 4, The Pop Image of Man. Tokyo: Kodansha Ltd., 1971, p. 23 color ill., front cover color ill. (cropped). (ed. 1008.LC-218 (LC 218)).
Waldman, Diane. Roy Lichtenstein. New York: Harry N. Abrams, 1971, no. 114 n.p. color ill.
Finch, Christopher. "Breaking Through the Print Barrier." ARTnews 70, no. 9 (January 1972), p. 39 color ill.
Keller, Jean-Pierre. Pop art et évidence du quotidien. Lausanne: L’Âge d’Homme, 1979, p. 94 b/w ill.
Cowart, Jack. Roy Lichtenstein 1970–1980. New York: Hudson Hills Press in association with the St. Louis Art Museum, 1981. Exhibition catalogue (1981 St. Louis Art Museum), p. 16 b/w ill. [not exhibited].
Pincus-Witten, Robert. Leo Castelli: Gentle Snapshots. Edited by Barbara Jakobson. Zurich: Galerie Bruno Bischofberger, 1982. Exhibition catalogue (1982 Zurich Bischofberger), n.p. following p. 57 b/w ill. (with Leo Castelli and Walter Hopps at Castelli Gallery, 1965), [not exhibited].
Cowart, Jack. Roy Lichtenstein 1970–1980. Translated from the English by Nicolas Hepp. Munich: Prestel Verlag, 1982. Exhibition catalogue (1981 St. Louis Art Museum), no. 1 p. 16 b/w ill. [not exhibited].
Cowart, Jack. Roy Lichtenstein 1970–1980. Translated from the English by Stefania Coppi. Florence: Electa, 1982. Exhibition catalogue (1981 St. Louis Art Museum), p. 21 b/w ill. [not exhibited].
Cowart, Jack. Roy Lichtenstein 1970–1980. Tokyo: Seibu Museum of Art, 1983. Exhibition catalogue (1981 St. Louis Art Museum), p. 12 b/w ill. [not exhibited].
Hindry, Ann, ed. Artstudio. Special issue, Roy Lichtenstein, no. 20 (Spring 1991), p. 160 color ill.
Kodansha Ltd. Contemporary Great Masters: Roy Lichtenstein. Tokyo: Kodansha Ltd., 1992, no. 5 n.p. color ill.
Hendra, Tony. Brad '61: Portrait of the Artist As a Young Man. New York: Pantheon Books, 1993, p. 29 color ill.
Simonyi, Charles and Michael Lobel. Digital Premonition: The Charles Simonyi Collection. [U.S.]: Charles Simonyi Collection, 2001, p. 56 color ill.
Lobel, Michael. Image Duplicator: Roy Lichtenstein and the Emergence of Pop Art. New Haven: Yale University Press, 2002, no. 84 p. 135 color ill.
Mitchell-Innes & Nash, New York. Roy Lichtenstein Reflected. New York: Mitchell-Innes & Nash, 2010. Exhibition catalogue (2010 New York Mitchell-Innes & Nash), n.p. facing p. 53 color ill. [not exhibited].
Pommereau, Claude, ed. Roy Lichtenstein au Centre Pompidou. Issy-les-Moulineaux, France: Beaux Arts Éditions, 2013, pp. 18–19 color ill. (double spread).

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Other

Section titles and headings are for convenience only and have no legal or contractual effect.  The failure of RLF to exercise or enforce any right or provision of the Terms shall not constitute a waiver of such right or provision.  If a court of competent jurisdiction determines that any provision of these Terms is unenforceable for any reason, then that provision will be deleted and the remaining provisions of these Terms will be enforceable to the fullest extent permitted by law.

Questions

Please email [email protected] with any questions you may have about these Terms.