Brushed stainless steel
372 x 156 x 156 in. (944.9 x 396.2 x 396.2 cm)
Classification: sculpture (editioned)

Sculpture (Editioned)

Catalogue entries for editioned sculpture provide conception and fabrication dates, dimensions, and transcriptions of inscriptions with brief summaries highlighting inconsistencies within editions.

All fabricators involved with an edition are documented, including their location at the time of fabrication and, when available, key workshop staff. Publishers and commissioners involved in the production and distribution of a sculpture are also listed. 

Remarks address conflicting information, historical cataloguing errors or other unclear details.

Primary Images usually illustrate an individual work in an edition, often with multiple images taken from various angles. Research Images document inscriptions or other details of interest.

Edition Numbers

When edition numbers for individual casts could not be confirmed, the edition number is given as "unkn" to mean unknown. The works may or may not correspond to other works in the same edition with incomplete provenance.

Dates

Conception dates for editioned sculpture are based on the year a collage or prototype, used for the edition's fabrication, was completed. Approximate dates are indicated with circa "c." Fabrication dates follow the conception date in parentheses and are based on the year(s) in which individual works in an edition were delivered by the fabricator to the artist’s studio to be painted, usually shortly after delivery.

Dimensions

Dimensions reflect fabricators' dimensions recorded in official paperwork or documented in studio files maintained by the artist or his estate whenever available; otherwise, they stem from Castelli records, RL Studio Cards or the catalogue team's research.

Inscriptions

Despite extensive research efforts, physical examination or documentation of inscriptions was not always possible. In these cases, the signature transcription says “[no information].” When information came from an external source, e.g., an auction catalogue, inscriptions are given verbatim with a reference.

Provenance

Provenance histories for editions of 3, 6, 8, and 12 works are provided. For larger sculpture editions, provenance has not been researched and descriptive details, such as individual signature transcriptions, are not given. Entries follow instead a format similar to print entries.

(Contrary to entries for large sculpture editions, the catalogue provides provenance for all of Lichtenstein's banner and tapestry editions, regardless of their size, to document their complex histories.) See: 4.2. BANNER (EDITIONED)

Research

Primary sources consulted are mainly the rich materials in the RLF Archives, such as studio correspondence, fabricator agreements and invoices, publisher’s royalty reports, shipping receipts, business logs and loan forms. In addition, frequent conversations were held with former fabricator staff and studio assistants. James dePasquale, Lichtenstein's assistant since the early 1970s, was primarily responsible for painting the artist's smaller sculptures after they were delivered by the fabricator to the artist’s studio. He served as an invaluable source for questions about media details and process.  

Posthumous Casts

In accordance with Lichtenstein's intentions or unrealized plans left at the time of his passing, the Estate of the artist, after consultation with the Roy Lichtenstein Foundation, produced a select group of monumental and smaller casts. They are described as such in their catalogue entries.

In all cases, production was based on extended research and documentation with historical indications. The same fabricators were used for the posthumous casts as for the lifetime casts, with oversight provided by the artist's assistant James dePasquale, reflecting a standard studio practice. Often, the casts were made with higher quality materials and improved engineering, paint systems, etc., due to a less restrictive budget.

Posthumous casts, which do not reflect or expand lifetime editions are not included in the catalogue. For further information see: Projects of the ERL.

Read more: Guide to the Catalogue
Print this page

Catalogue entry

Artwork: Modern Head, 1974 (fabricated c. 1989, posthumous HC fabricated 2018) (RLCR 2319) Photo: Courtesy Yale University Art Gallery Ed. 2/2 Installed at Yale University, New Haven, Conn.
Ed. 2/2 Installed at Yale University, New Haven, Conn.
RLCR 2319 (LC 691A; RL 1318)
Modern Head
1974 (fabricated c. 1989, posthumous HC fabricated 2018)
Title Source
Castelli; RL Studio Card
Media
Brushed stainless steel
Dimensions
372 x 156 x 156 in. (944.9 x 396.2 x 396.2 cm)
Description
Edition of 2; 1 AP plus posthumous HC
Publishers: James Goodman Gallery, New York, and Jeffrey H. Loria & Co., New York (ed. 1/2–2/2; AP); Estate of Roy Lichtenstein (posthumous HC)

Fabricators: Lippincott, New Haven, Conn. (ed. 1/2, 2/2, AP); Amaral Custom Fabrications, Inc., East Providence, R.I., in consultation with Don Lippincott (postumous HC).
Signed, dated, numbered and chopmarked edge, bottom. Posthumous HC marked with artist's name, dated, marked HC, marked with copyright notice with year of fabrication and chopmarked edge, bottom.
Ed. 2319.AP
rf Lichtenstein / '74–'89 / A.P. / WORK EXECUTED BY / Lippincott / NORTH HAVEN CONN
Ed. 2319.HC
ROY LICHTENSTEIN / 1974/1989 / H.C. © ESTATE OF ROY LICHTENSTEIN 2018 / Lippincott / NORTH HAVEN CONN; ACF
Ed. 2319.1/2
rf Lichtenstein / '74–'89 1/2 / WORK EXECUTED BY / Lippincott / NORTH HAVEN CONN
Ed. 2319.2/2
rf Lichtenstein / '74–'89 / 2/2 / WORK EXECUTED BY / Lippincott / NORTH HAVEN CONN
Remarks

In 1989, Lichtenstein approved repurposing the design of his 1974 Modern Head wood sculpture RLCR 2318 (originally conceived for, but then removed from a demolished mall in Los Angeles) for the fabrication of four casts: three in stainless steel (RLCR 2319) and one to be painted in blue (RLCR 2320). The sculptures were commissioned by James Goodman and Jeffrey Loria and fabricated by Lippincott, Inc., North Haven, Connecticut.

In 2018, the Roy Lichtenstein Foundation was given license by the Estate of Roy Lichtenstein to re-fabricate the sculpture (HC) with Amaral Custom Fabrications, Inc.

Photo: Courtesy Yale University Art Gallery
Research Images
Modern Head, 1974 (fabricated c. 1989, posthumous HC fabricated 2018) (RLCR 2319). Ed. HC: Installed at Ohio State University, Columbus, Ohio
Ed. HC: Installed at Ohio State University, Columbus, Ohio
Modern Head, 1974 (fabricated c. 1989, posthumous HC fabricated 2018) (RLCR 2319). Ed. 1/2: Installed at Matsumoto Dental University, Shiojiri, Nagano, Japan
Ed. 1/2: Installed at Matsumoto Dental University, Shiojiri, Nagano, Japan
Photo: Courtesy Matsumoto Dental University, Shiojiri, Nagano, Japan
Related Works
loading
Exhibitions
Battery Park City, New York, “Modern Head" by Roy Lichtenstein, May 15, 1991–September 28, 1992 (ed. 2319.1/2).
Nassau County Museum of Art, Roslyn Harbor, New York, Extended Loan, 1994–2001 (ed. 2319.1/2).
Literature
"Lichtenstein Installation." Southampton [N.Y.] Press, July 20, 1995, p. 6 b/w ill. (installation view, Agawam Park, Southampton, N.Y.) (ed. 2319.AP).
Braff, Phyllis. "Serenity at a Crossroads for a Sculptured Profile." New York Times, September 10, 1995, p. 10 b/w ill. (installation view, Agawam Park, Southampton, N.Y.)
Kelleher, Karen. "Roy Lichtenstein: The Controversy Pop's." Hamptons (Southampton, N.Y.) (May 31, 1996), not ill. (ed. 2319.1/2).
Nottle, Diane. "The Changing Look of Art Museums: It's No Longer Just What's on the Walls that Lures Visitors." New York Times, June 13, 1999, p. 1 b/w ill. (installation view, Nassau County Museum of Art, Roslyn Harbor, N.Y.) (ed. 2319.1/2).
Celant, Germano. Roy Lichtenstein Sculptor. Milan: Skira Editore for Fondazione Emilio e Annabianca Vedova, 2013. Exhibition catalogue (2013 Venice Vedova), no. 50 n.p. facing p. 83 color ill. [not exhibited].
Celant, Germano. Roy Lichtenstein Sculptor. Milan: Skira Editore for Fondazione Emilio e Annabianca Vedova, 2013. Exhibition catalogue (2013 Venice Vedova), no. 50 n.p. facing p. 83 color ill. [not exhibited].
Archival Material
Entry Updated November 11, 2023