Reference Material

Lichtenstein created and gathered various types of reference material, including cartoon and magazine clippings—stored loose or pasted into notebooks—and photographs he took of works in progress in his studio and of New York City architecture. The Roy Lichtenstein Foundation gifted most of these materials to the Archives of American Art Smithsonian Institution, Washington, D.C. The catalogue raisonné team is currently reviewing, organizing and cataloguing items from the vast collection to be published on this website.

Notebooks

Jericho Compositions Notebook
Photo: Courtesy Whitney Museum of American Art
Jericho Compositions Notebook
Photo: Courtesy Whitney Museum of American Art
REF NB2 (RL 8001, RLCR 1923, SRC 21911)
Jericho Compositions Notebook
Drawings in this book c. 1970–76
Title Source
RLF
Alternate Title and Source
Jericho Compositions (RLF)
Media
Printed paper clippings, graphite pencil, colored pencil on ruled paper, cutouts
Dimensions
Binding: 9 3/4 x 7 1/2 x 1/2 in. (24.5 x 19 x 1.3 cm)
Leaf: 9 3/4 x 7 7/16 in. (24.8 x 18.9 cm)
Inscriptions
Neither signed nor dated
Description

Vertical format, orientation of drawings is vertical

Extent: 36 leaves

30 used leaves
5 blank leaves
1 missing leaf

This notebook contains printed paper clippings from a wide range of sources like newspapers, comic books, catalogs, food packaging, and yellow pages, as well as a torn business card depicting a piano. Subject matter includes furniture, images of women, decorative art objects, clothing, advertisement ploys and comics. In a couple of sketches Lichtenstein plays with the idea of a flower pot (RLCR 1923.1) and the shape of frames (RLCR 1923.2).

Manufacturer: Eastern & Nassau Distributors, Amityville, N.Y.

Moderately thick, white, coated board covers with printed black “Compositions” pattern, black cloth along spine and thread sewing.

Machine-made, wove, medium (1), smooth, cream (1), ruled paper with cut edges. No watermarks. Page thickness 0.004 in.

Several cutouts and one stub due to partial and full page removal.

Provenance
Estate of Roy Lichtenstein
The Roy Lichtenstein Foundation Collection, June 2016 (by gift)
Whitney Museum of American Art, New York. The Roy Lichtenstein Study Collection, Gift of the Roy Lichtenstein Foundation, February 2019
Exhibitions
Museum of Contemporary Art, Chicago, Roy Lichtenstein: Interiors, July 24–October 10, 1999. (not in cat.) (ed. unknown).
Louisiana Museum of Art, Humlebaek, Denmark, Roy Lichtenstein: All about Art, August 22, 2003–January 18, 2004. (not San Francisco; not in cat.) (ed. unknown). Traveled to: Hayward Gallery, London, United Kingdom, February 26–May 16, 2004 (as Roy Lichtenstein); Museo Nacional Centro de Arte Reina Sofía, Madrid, Spain, June 24–September 27, 2004 (as Roy Lichtenstein). (Holm, Tøjner, and Caiger-Smith 2003b); San Francisco Museum of Modern Art, San Francisco, Calif., October 20, 2004–February 22, 2005 (as Roy Lichtenstein).
Museo de Arte Abstracto Español, Cuenca, Spain, Lichtenstein: En proceso, November 25, 2005–February 19, 2006. (only Madrid, Paris) (ed. unknown). Traveled to: Museu d'Art Espanyol Contemporani, Palma de Mallorca, Spain, March 7–September 9, 2006; Fundación Juan March, Madrid, Spain, February 2–May 27, 2007 (as Roy Lichtenstein: De principio a fin, revised and expanded). (Fundación Juan March 2007b; Fundación Juan March 2007a); Pinacothèque de Paris, Paris, France, June 15–September 23, 2007 (as Roy Lichtenstein: Évolution, revised and expanded). (Fundación Juan March 2007c); Katonah Museum of Art, Katonah, N.Y., March 29–June 28, 2009 (revised and abridged). (Katonah Museum 2009); Dixon Gallery and Gardens, Memphis, Tenn., October 18, 2009–January 17, 2010 (revised and abridged); Frederick Weisman Museum of Art, Pepperdine University, Malibu, Calif., January 22–April 3, 2011.
Triennale di Milano, Milan, Roy Lichtenstein: Meditations on Art, January 26–May 30, 2010. (ed. unknown). Traveled to: Museum Ludwig, Cologne, Germany, July 2–October 17, 2010 (as Roy Lichtenstein: Kunst als Motiv). (Mercurio 2010a).
Morgan Library and Museum, New York, Roy Lichtenstein: The Black-and-White Drawings, 1961–1968, September 24, 2010–January 2, 2011. (only Vienna; not in cat.) (ed. unknown). Traveled to: Albertina, Vienna, Austria, January 27–May 15, 2011 (as Roy Lichtenstein: Black & White, 1961–1968). (Dervaux 2011b).
Albertina, Vienna, Roy Lichtenstein: A Centennial Exhibition, March 8–July 14, 2024. (ntb. p. 14v and 15r) (ed. unknown).
Literature
Schneider, Eckhard, ed. Roy Lichtenstein: Classic of the New. Bregenz: Kunsthaus Bregenz; Cologne: Buchhandlung Walther König, 2005. Exhibition catalogue, p. 45 color ill. (ntb. p. 5r) [not exhibited] (ed. unknown).
Fundación Juan March, Madrid. Roy Lichtenstein: Beginning to End. Madrid: Fundación Juan March, 2007. Exhibition catalogue, p. 30 color ill. (ntb. p. 16v, p. 17r, p. 12v, p. 13r, p. 12v, p. 13r, p. 4v, p. 5r) (ed. unknown).
Fundación Juan March, Madrid. Roy Lichtenstein: De principio a fin. Madrid: Fundación Juan March, 2007. Exhibition catalogue, p. 30 color ill. (ntb. p. 16v, p. 17r, p. 12v, p. 13r, p. 12v, p. 13r, p. 4v, p. 5r) (ed. unknown).
Fundación Juan March, Madrid. Roy Lichtenstein: Évolution. Translated from the English by Delphine Billaut, Isabelle Choque, Aude Pasquier, and Maïca Sanconie. Madrid: Fundación Juan March; Paris: Pinacothèque de Paris, 2007. Exhibition catalogue, p. 30 color ill. (ntb. p. 16v, p. 17r, p. 12v, p. 13r, p. 12v, p. 13r, p. 4v, p. 5r) (ed. unknown).
Döring, Jürgen, and Claus von der Osten. Roy Lichtenstein: Posters. Translated by Jane Michael. Munich: Prestel Verlag, 2008. Exhibition catalogue. Abridged and revised French edition: Éditions Prisma, 2013. Reprinted in 2019, fig. 4 p. 14 color ill. (ntb. p. 16v, p.17r) [not exhibited] (ed. unknown).
Mercurio, Gianni, ed. Lichtenstein: Kunst als Motiv. Cologne: DuMont, 2010. Exhibition catalogue, fig. 82 p. 328 color ill. (detail; ntb. p. 10v), fig. 101 p. 332 color ill. (detail; ntb. p. 10r) (ed. unknown).
Mercurio, Gianni, ed. Roy Lichtenstein: Meditations on Art. Translated from the Italian by Michael Haggerty. Milan: Skira; distributed by Rizzoli, New York, 2010. Exhibition catalogue, fig. 82 p. 328 color ill. (detail; ntb. p. 10v), fig. 101 p. 332 color ill. (detail; ntb. p. 10r) (ed. unknown).
Mercurio, Gianni, ed. Roy Lichtenstein: Meditations on Art. Milan: Skira Editore, 2010. Exhibition catalogue, fig. 82 p. 328 color ill. (detail; ntb. p. 10v), fig. 101 p. 332 color ill. (detail; ntb. p. 10r) (ed. unknown).
Rondeau, James, and Sheena Wagstaff. Roy Lichtenstein: A Retrospective. Chicago: Art Institute of Chicago, 2012. Exhibition catalogue. Revised second edition, fig. 5 p. 64 color ill. (ntb. p. 25r) [not exhibited] (ed. unknown).
Bauer, Gunhild, and Klaus Albrecht Schröder, eds. Roy Lichtenstein. Munich; London; New York: Prestel, 2024. Exhibition catalogue, p. 221 color ill. (front cover), p. 222 color ill. (ntb. p. 14v), p. 223 color ill. (ntb. p. 15r), p. 225 color ill. (ntb. p. 12r), p. 226 color ill. (ntb. p. 16v), p. 227 color ill. (ntb. p. 17r) (ed. unknown).
Bauer, Gunhild, and Klaus Albrecht Schröder, eds. Roy Lichtenstein. Vienna: Albertina; Munich: Prestel Verlag, 2024. Exhibition catalogue, p. 221 color ill. (front cover), p. 222 color ill. ntb. p. 14v), p. 223 color ill. (ntb. p. 15r), p. 225 color ill. (ntb. p. 12r), p. 226 color ill. (ntb. p. 16v), p. 227 color ill. (ntb. p. 17r) (ed. unknown).
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Cutout: 4 1/8 x 3 1/2 in. (10.5 x 8.9 cm)
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Cutout matches REF NB2: Page 12vLL.

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4 1/8 x 3 1/2 in. (10.5 x 8.9 cm)
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Remarks

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1 7/16 x 1 7/8 in. (3.7 x 4.8 cm)
Clipping(s)
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Remarks

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Cutout: 1 7/16 x 1 7/8 in. (3.7 x 4.8 cm)
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Limitation of Liability

RLF AND ITS AFFILIATES, MANAGERS, OFFICERS, EMPLOYEES, CONTRACTORS, AGENTS, VOLUNTEERS, AND ADVISORS, WHETHER IN SUCH CAPACITIES OR INDIVIDUALLY, AND THE HEIRS, SUCCESSORS AND ASSIGNS OF EACH OF THEM (TOGETHER, THE “COVERED PARTIES”) ARE NOT LIABLE FOR ANY CLAIM OF ANY NATURE WHATSOEVER BASED ON LOSS OR INJURY BECAUSE OF ERRORS, OMISSIONS, INTERRUPTIONS, OR INACCURACIES IN THE SITE OR ANY CONTENT AVAILABLE THROUGH IT, INCLUDING LOSS OR INJURY THAT RESULTS FROM YOUR BREACH OF ANY PROVISION OF THESE TERMS.

UNDER NO CIRCUMSTANCES WILL RLF OR THE COVERED PARTIES BE LIABLE FOR ANY DIRECT, INDIRECT, INCIDENTAL, CONSEQUENTIAL, SPECIAL, PUNITIVE, OR EXEMPLARY DAMAGES (INCLUDING LOST REVENUES OR PROFITS, LOSS OF BUSINESS, OR LOSS OF DATA) ARISING OUT OF OR IN CONNECTION WITH YOUR USE OF THE SITE OR CONTENT OR THESE TERMS, REGARDLESS OF THE THEORY OF LIABILITY, WHETHER TORT (INCLUDING NEGLIGENCE), CONTRACT, OR ANY OTHER LEGAL OR EQUITABLE THEORY, EVEN IF RLF HAS BEEN ADVISED OF THE POSSIBILITY OF SUCH DAMAGES.  OUR AGGREGATE LIABILITY TO YOU FOR ANY USE OF, OR INABILITY TO USE, THE SITE OR CONTENT IS LIMITED TO $1000. SOME STATES DO NOT ALLOW THE LIMITATION OF LIABILITY FOR THESE KINDS OF DAMAGES, SO THESE LIMITATIONS OR EXCLUSIONS MAY NOT APPLY TO YOU.

Indemnification

You agree to indemnify, defend and hold harmless RLF and the Covered Parties from and against all demands, loss, liability, claims or expenses (including attorneys’ fees) made against RLF and the Covered Parties arising out of your use of the Site, its Content, or violation of these Terms.

Infringing Material

RLF respects the intellectual property of others and expects users to do the same.  As to allegedly infringing copyrighted works, we comply with the take down and counter notification provisions of the Digital Millennium Copyright Act (“DMCA”), 17 U.S.C.A. § 512, as set forth below. 

We reserve the right to remove or disable access to any Content claimed to be infringing, at any time at our sole discretion, without notice or liability.  In appropriate circumstances, we will also terminate users of the Site who are repeat infringers.

If you believe that Content has been used in a way that constitutes copyright infringement, please provide our designated agent, whose contact information is listed below, with a written notice containing all of the following information (“DMCA Notice”):

  • A physical or electronic signature of a person authorized to act on behalf of the owner of an exclusive right that is allegedly infringed;
  • Identification of the copyrighted work claimed to have been infringed;
  • Identification of the Content that is claimed to be infringing or to be the subject of infringing activity, and information reasonably sufficient to permit us to locate such Content on our Site (such as the URL to each page on the Site containing allegedly infringing material);
  • Information reasonably sufficient to permit us to contact you, such as an address, telephone number, and, if available, an email address;
  • a statement that you have a good faith belief that use of the Content in the manner complained of is not authorized by the copyright owner, its agent, or the law; and
  • a statement that the information in your notice is accurate and, under penalty of perjury, that you are authorized to act on behalf of the owner of an exclusive right that is allegedly infringed.

Our agent designated to receive DMCA Notices may be contacted as follows:

[email protected]

Changes to the Terms

RLF may change these Terms from time to time by posting an updated version on this web page, or, if we determine that it is appropriate, we may provide other notice to you.  Your continued use of the Site after we post updated Terms means that you accept and agree to such Terms.  We recommend checking back on this web page regularly if you use the Site.

Termination

We reserve the right to terminate the Site, these Terms, and any Content, and your access to the Site and/or the Content, at any time without notice, for any reason.  The “Reliance on Information Posted,” “Copyright & Trademark,” “Inclusions in Catalogue Raisonné (or Lack Thereof),” “Additional Disclaimers,” “Limitation of Liability,” “Indemnification,” and “Governing Law” sections of these Terms (along with this provision and any other provision that by its terms contemplates survival) survive any termination of these Terms.

Governing Law

These Terms are the complete agreement between you and RLF regarding your use of the Site and is governed by applicable federal laws and the laws of the State of New York applicable to agreements made and completely performed there.  Any dispute arising out of or in connection with these Terms shall be subject to the exclusive jurisdiction and venue of the United States District Court for the Southern District of New York located in the Borough of Manhattan in the City of New York or, only if such court does not have subject-matter jurisdiction, the Supreme Court of the State of New York, New York County.

You irrevocably agree to bring any claim or dispute relating to your use of the Site and these Terms exclusively in the state and federal courts located in New York, to submit to the exclusive jurisdiction of those courts, and to waive any jurisdictional, venue, inconvenient forum, or other objections to those courts.  

Other

Section titles and headings are for convenience only and have no legal or contractual effect.  The failure of RLF to exercise or enforce any right or provision of the Terms shall not constitute a waiver of such right or provision.  If a court of competent jurisdiction determines that any provision of these Terms is unenforceable for any reason, then that provision will be deleted and the remaining provisions of these Terms will be enforceable to the fullest extent permitted by law.

Questions

Please email [email protected] with any questions you may have about these Terms.