Works Outside the Catalogue
This section documents works that are not included in the Roy Lichtenstein Catalogue Raisonné. These are artworks the artist abandoned or destroyed, authorized replica and projects originating with the Estate of Roy Lichtenstein (ERL). Also listed are test pieces created by others to help with the fabrication process of Lichtenstein's Barcelona Head sculpture and a selection of memorabilia.
Unauthorized Lichtenstein tapestries are included here to document the history of their making.
Ongoing research may lead to further entries in the future.
Form fabricated by Ka Kwong Hui. Design most likely applied by Lichtenstein.
Media line per appearance from photograph and comparison to other works from Hui's studio, such as, ABND (RL 5148), Platter and Creamer (Abandoned). Dimensions per Garth Clark Gallery.
Per C. Glenn 1977b, the forms were cast from molds purchased from Stewart Clay Company and Holland Mold Company, New York, or from proprietary molds.
(...)
Garth Clark Gallery, New York City, 2007 [last known location; closed in 2008]
Form fabricated by Ka Kwong Hui. Design most likely applied by Lichtenstein.
Per C. Glenn 1977b, the forms were cast from molds purchased from Stewart Clay Company and Holland Mold Company, New York, or from proprietary molds.
Eva Bouzard–Hui, Caldwell, N.J., 2003 (by descent)
{Rago Modern Auctions, LLP, Lambertville, N.J., April 21, 2007, lot 136}
The Roy Lichtenstein Foundation Collection, June 2007 (via Rago Modern Auctions, LLP, post-auction sale, Lambertville, N.J.)
Dallas Museum of Art, Dallas, and Nasher Sculpture Center, Dallas. Gift of the Roy Lichtenstein Foundation in Celebration of the Centennial of Roy Lichtenstein, May 2024. 2024.19.2 [DMA]; 2024.05.36 [Nasher]
Form fabricated by Ka Kwong Hui. Design most likely applied by Lichtenstein.
Per C. Glenn 1977b, the forms were cast from molds purchased from Stewart Clay Company and Holland Mold Company, New York, or from proprietary molds.
Everson Museum of Art, Syracuse, N.Y. Gift from Ka Kwong Hui, 1988. PC 88.21.2
Form fabricated by Ka Kwong Hui. Design most likely applied by Lichtenstein.
Media line per appearance from photograph and comparison to other works from Hui's studio, such as, ABND (RL 5148) Platter and Creamer (Abandoned). Dimensions per Garth Clark Gallery.
Per C. Glenn 1977b, the forms were cast from molds purchased from Stewart Clay Company and Holland Mold Company, New York, or from proprietary molds.
(...)
Garth Clark Gallery, New York City, 2007 [last known location; closed in 2008]
Form fabricated by Ka Kwong Hui. Design most likely applied by Lichtenstein.
Per C. Glenn 1977b, the forms were cast from molds purchased from Stewart Clay Company and Holland Mold Company, New York, or from proprietary molds.
Pictured is a speculative reconstruction by RLF staff of mostly loose foamcore pieces that were saved by the artist's studio assistant James dePasquale after Lichtenstein abandoned them. It is unknown whether the artist may have planned a stand-alone artwork.
Date per dePasquale's recollection.
The Roy Lichtenstein Foundation Collection, May 2016 (by gift)
Per C. Glenn 1977b, Lichtenstein worked with an unknown Brooklyn potter to cast ceramic heads from a plaster model he bought in New York City's Hat District and reworked with modeling clay. He may have glazed four pieces, including this head, with the potter before abandoning them.
Overall, Lichtenstein made a total of 10 ceramic heads, 4 abandoned and 6 finished. According to Glenn, the 6 finished heads were glazed with ceramic artist Ka Kwong Hui.
The Roy Lichtenstein Foundation Collection, April 2023 (by gift)
Dallas Museum of Art, Dallas, and Nasher Sculpture Center, Dallas. Gift of the Roy Lichtenstein Foundation in Celebration of the Centennial of Roy Lichtenstein, May 2024. 2024.19.54 [DMA]; 2024.05.54 [Nasher]
Form fabricated by Ka Kwong Hui. Design most likely applied by Lichtenstein.
Per C. Glenn 1977b, the forms were cast from molds purchased from Stewart Clay Company and Holland Mold Company, New York, or from proprietary molds.
Everson Museum of Art, Syracuse, N.Y. Gift from Ka Kwong Hui, 1988. PC 88.21.1
Form fabricated by Ka Kwong Hui. Design most likely applied by Lichtenstein.
Per C. Glenn 1977b, the forms were cast from molds purchased from Stewart Clay Company and Holland Mold Company, New York, or from proprietary molds.
Everson Museum of Art, Syracuse, N.Y. Gift from Ka Kwong Hui, 1988. PC 88.21.4
Form fabricated by Ka Kwong Hui. Design most likely applied by Lichtenstein.
Per C. Glenn 1977b, the forms were cast from molds purchased from Stewart Clay Company and Holland Mold Company, New York, or from proprietary molds.
Everson Museum of Art, Syracuse, N.Y. Gift from Ka Kwong Hui, 1988. PC 88.21.3
Per C. Glenn 1977b, Lichtenstein worked with an unknown Brooklyn potter to cast ceramic heads from a plaster model he bought in New York City's Hat District and reworked with modeling clay. He may have glazed four pieces, including this head, with the potter before abandoning them.
Overall, Lichtenstein made a total of 10 ceramic heads, 4 abandoned and 6 finished. According to Glenn, the six finished heads were glazed with ceramic artist Ka Kwong Hui.
The Roy Lichtenstein Foundation Collection, April 2023 (by gift)
Dallas Museum of Art, Dallas, and Nasher Sculpture Center, Dallas. Gift of the Roy Lichtenstein Foundation in Celebration of the Centennial of Roy Lichtenstein, May 2024. 2024.19.56 [DMA]; 2024.05.55 [Nasher]
Per C. Glenn 1977b, Lichtenstein worked with an unknown Brooklyn potter to cast ceramic heads from a plaster model he bought in New York City's Hat District and reworked with modeling clay. He may have glazed four pieces, including this head, with the potter before abandoning them.
Overall, Lichtenstein made a total of 10 ceramic heads, 4 abandoned and 6 finished. According to Glenn, the six finished heads were glazed with ceramic artist Ka Kwong Hui.
The Roy Lichtenstein Foundation Collection, April 2023 (by gift)
Dallas Museum of Art, Dallas, and Nasher Sculpture Center, Dallas. Gift of the Roy Lichtenstein Foundation in Celebration of the Centennial of Roy Lichtenstein, May 2024. 2024.19.56 [DMA]; 2024.05.56 [Nasher]
Per C. Glenn 1977b, Lichtenstein worked with an unknown Brooklyn potter to cast ceramic heads from a plaster model he bought in New York City's Hat District and reworked with modeling clay. He may have glazed four pieces, including this head, with the potter before abandoning them.
Overall, Lichtenstein made a total of 10 ceramic heads, 4 abandoned and 6 finished. According to Glenn, the six finished heads were glazed with ceramic artist Ka Kwong Hui.
The Roy Lichtenstein Foundation Collection, April 2023 (by gift)
Dallas Museum of Art, Dallas, and Nasher Sculpture Center, Dallas. Gift of the Roy Lichtenstein Foundation in Celebration of the Centennial of Roy Lichtenstein, May 2024. 2024.19.57 [DMA]; 2024.05.57 [Nasher]
Form fabricated by Ka Kwong Hui. Design most likely applied by Lichtenstein.
Per C. Glenn 1977b, the forms were cast from molds purchased from Stewart Clay Company and Holland Mold Company, New York, or from proprietary molds.
Eva Bouzard–Hui, Caldwell, N.J., 2003 (by descent)
{Rago Modern Auctions, Lambertville, N.J., April 21, 2007, lot 137}
The Roy Lichtenstein Foundation Collection, June 2007 (via Rago Modern Auctions, LLP, post-auction sale, Lambertville, N.J.)
This unfinished work was discovered in 2015 during the examination of the pastel drawing, RLCR 224, The Birds, for which it served as a backing board. Date assigned based on Busche 1988 dating of the pastel, c. 1949.
Private collection, Pennsylvania and Wisconsin, July 2015 (by descent)
Private collection, Wisconsin, September 2016