Felt, originally two aluminum bars
<span class="gray">Per Castelli records:</span> 96 x 47 in. (243.8 x 119.4 cm) (banners examined by our researchers range from 90–97 1/4 in. in height and 42 1/2–47 in. in width)
Most banners are signed, dated and numbered on a publisher's label affixed to the verso bottom. Exceptions are ed. 5/20, 15/20, 19/20 and 20/20, which are signed and numbered, but not dated, AP 1, which is numbered, then signed, and some banners that are not signed at all. There are two banners identified as ed. 8/20, catalogued by the authors as ed. 8/20[1], which is signed, dated and numbered, and ed. 8/20[2], which had been erroneously registered by Leo Castelli Gallery as ed. 8/20, but is not signed, dated or numbered.
Classification: banner

Banner (Editioned)

Between 1964 and 1970 Betsy Ross Flag and Banner Company published four banner editions designed by Lichtenstein: RLCR 940, Pistol Banner; RLCR 1265, Night Seascape Banner; RLCR 1617, Thunderbolt Banner and RLCR 1892, Modular Banner.

Banners were originally issued with aluminum bars and published in advertised editions of 20. Original bars were often lost or discarded by the time of examination.

Edition Numbers

Most banners examined are signed and numbered on the bottom turn-back or on a publisher’s label affixed to the verso bottom. While the authors made every effort to identify edition numbers for unnumbered banners, or for banners missing the publisher’s label, this was often impossible. The affected items are catalogued with sequential numbers and the prefix “unkn.”

For some banners the authors found no paper trail, only trace documentation, such as comments in oral histories or other incomplete information. These pieces are recorded separately in Remarks. They may or may not correspond to banner entries with incomplete provenance. Banners marked with duplicate edition numbers are given additional numbers in brackets, e.g., 5/20[1] and 5/20[2].

Signatures and Inscriptions 

Extensive efforts have been made to document and transcribe signatures, inscriptions and relevant marks on all banners. In cases where the signature/inscription was not accessible, or where there is only indeterminate information from research (or lack thereof), external sources have been used to provide this information. In these cases, signature and transcription information is transcribed verbatim as found, set in quotation marks, then followed by named sources in brackets.

Entries include the shorthand reference Artnet for Artnet Price Database (published through artnet.com). Other reference sources are auction catalogues, which are identified by auction house and the related sale number in brackets.

Leo Castelli Gallery Inventory Numbers 

Leo Castelli Gallery’s registration system for Lichtenstein’s editioned works was not always consistent. Unique registry numbers for individual banners were solely assigned for the edition of Pistol Banner. The other three banner editions were inventoried with a single LC registry number. Pistol Banner does not have LC registry numbers assigned to all individual banners; those without an LC number were presumedly handled by other vendors.

Numbering exceptions are noted and described in the Remarks for each edition. 

Publisher and Fabricators  

Founded in 1963 by artist Robert Graham, Barbara Kulicke and Irvil “Sonny” Sloan, Betsy Ross Flag and Banner Company commissioned banner designs from a substantial number of artists, among them Andy Warhol, Marisol, Jim Dine, Robert Indiana, Tom Wesselman and Mel Ramos. In 1964, Marian Goodman joined the company (located then at 41 East 11th Street in New York).

Banners published by Betsy Ross Flag and Banner Company were fabricated at two commercial workshops: Abracrome, Inc., located at 18 East 16th Street, which specialized in creating college flags and flags for Olympic and Amateur Athletic Union (AAU) events (per Marian Goodman cited in Schwarz 2021, p. 10) and the Arista Flag and Banner Company, which specialized in creating advertising banners for “RCA Victor, Union Carbide, General Telephone, etc.” (Newsweek 1965).

In 1965, the four partners of Betsy Ross Flag and Banner Company, along with Ursula Kalish, opened Multiples, Inc., at 929 Madison Avenue, which operated as a gallery and publisher of artist’s multiples. Thereafter, Lichtenstein banners published by Betsy Ross Flag and Banner Company would be sold and distributed by Multiples, Inc., in addition to those sold through Leo Castelli Gallery. In 1977, Multiples, Inc., became part of the new Marian Goodman Gallery, founded by Marian Goodman. Marian Goodman Gallery would continue to operate Multiples, Inc., in a new shared location at 38 East 57th Street. Four years later the two entities moved to 24 West 57th Street.

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Catalogue entry

Artwork: Night Seascape Banner, 1966 (fabricated and published 1966) (RLCR 1265)  Ed. Unknown
Ed. Unknown
RLCR 1265 (LC 399, LC Q (AP); RL 0347)
Night Seascape Banner
1966 (fabricated and published 1966)
Title Source
RLF
Alternate titles and sources: Moonscape Banner (Castelli; RL Studio Photograph); Night Seascape (Castelli); Night Seascape Banner – a.k.a. Moonscape Banner (RL Studio Card)
Media
Felt, originally two aluminum bars
Dimensions
Per Castelli records: 96 x 47 in. (243.8 x 119.4 cm) (banners examined by our researchers range from 90–97 1/4 in. in height and 42 1/2–47 in. in width)
Description
Edition of 20 (per publisher's label and as advertised in 1966 Multiples, Inc., brochure, RLF Archives); 2 AP (LC Q and AP 1); 4 banners catalogued as unkn01–04 whose edition numbers could not be identified. Further, the authors are aware of incomplete documentation for unlocated banners that may be from the edition of 20 (see Commentary).
Leo Castelli Gallery registration number 399 was assigned to the entire edition with the exception of LC Q, which the authors have defined as AP.

Publisher: Betsy Ross Flag and Banner Company, New York

Fabricators: Abracrome, Inc., New York, and/or Arista Flag and Banner Company, New York
Inscriptions
Most banners are signed, dated and numbered on a publisher's label affixed to the verso bottom. Exceptions are ed. 5/20, 15/20, 19/20 and 20/20, which are signed and numbered, but not dated, AP 1, which is numbered, then signed, and some banners that are not signed at all. There are two banners identified as ed. 8/20, catalogued by the authors as ed. 8/20[1], which is signed, dated and numbered, and ed. 8/20[2], which had been erroneously registered by Leo Castelli Gallery as ed. 8/20, but is not signed, dated or numbered.
Ed. 1265.AP (LC Q)
Not signed, dated or numbered
Ed. 1265.AP1
A/P I rf Lichtenstein [on publisher's label]
Ed. 1265.unkn01
Not signed, dated or numbered [label lost or destroyed]
Ed. 1265.unkn02
Not signed, dated or numbered
Ed. 1265.unkn03
[no information]
Ed. 1265.unkn04
Not signed, dated or numbered
Ed. 1265.1/20
rf Lichtenstein '66 1/20 [on publisher's label]
Ed. 1265.2/20
rf Lichtenstein '66 2/20 [on publisher's label]
Ed. 1265.3/20
rf Lichtenstein '66 3/20 [on publisher's label]
Ed. 1265.4/20
[no information]
Ed. 1265.5/20
rf Lichtenstein 5/20 [on publisher's label]
Ed. 1265.6/20
[no information]
Ed. 1265.7/20
rf Lichtenstein '66 7/20 [on publisher's label]
Ed. 1265.8/20[1]
rf Lichtenstein '66 8/20 [on publisher's label]
Ed. 1265.8/20[2]
Not signed, dated or numbered
Ed. 1265.9/20
rf Lichtenstein '66 9/20 [on publisher's label]
Ed. 1265.10/20
rf Lichtenstein '66 10/20 [on publisher's label]
Ed. 1265.11/20
rf Lichtenstein '66 11/20 [on publisher's label]
Ed. 1265.12/20
rf Lichtenstein '66 12/20 [on publisher's label]
Ed. 1265.13/20
[no information]
Ed. 1265.14/20
[no information]
Ed. 1265.15/20
rf Lichtenstein 15/20 [on publisher's label]
Ed. 1265.16/20
[no information]
Ed. 1265.17/20
"signed in ink and numbered 17/20 on the reverse of the Betsy Ross Flag and Banner Co. label, New York" (per Christie's catalogue, sale 2163)
Ed. 1265.18/20
[no information]
Ed. 1265.19/20
rf Lichtenstein 19/20 [on publisher's label]
Ed. 1265.20/20
rf Lichtenstein 20/20 [on publisher's label]
Remarks

The following list is a record of transactions or documentation for which the authors were unable to identify an edition number. These editions may correspond to entries with incomplete provenance.   

1. Unidentified Night Seascape Banner sold by Mutliples, Inc. to Christian Von Stein, Turin, Italy. (Royalty statement, June 17, 1971, RLF Archives.)

2. Unidentified Night Seascape Banner consigned for resale to Leo Castelli Gallery by David Craig, San Clemente, Calif., in 1993 and returned to the owner in 1996. (Leo Castelli Gallery records, circa 1880-2000, bulk 1957–1999. Archives of American Art, Smithsonian Institution.)

Research Images
Night Seascape Banner, 1966 (fabricated and published 1966) (RLCR 1265). 7/20: Example of label on reverse
7/20: Example of label on reverse
Night Seascape Banner, 1966 (fabricated and published 1966) (RLCR 1265). 15/20
15/20
Night Seascape Banner, 1966 (fabricated and published 1966) (RLCR 1265). 15/20: Verso (Ed. 15/20)
15/20: Verso (Ed. 15/20)
Related Works
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Provenance
Ed. 1265.AP (LC Q)
Collection David Lichtenstein and Mitchell Lichtenstein, c. 1966 (artist gift)
Ed. 1265.AP1
Private Collection, North Rhine-Westphalia, Germany
(Grisebach GmbH, Berlin, December 2, 2006, lot 476)
Schellmann Art, Munich–New York
ARTPARK, Seoul, South Korea, 2015
{K Auction, Seoul, South Korea, November 20, 2019, lot 45}
(K Auction, Seoul, South Korea, November 25, 2020, lot 73)
COCO Artfoundation, Vaduz, Liechtenstein
Ed. 1265.unkn01
Mutliples, Inc. / Marian Goodman Gallery, New York
Ed. 1265.unkn02
Atlantic Richfield Company, October 1968 (via Multiples, Inc., New York City)
(Los Angeles Modern Auctions, Calif., December 3, 2000, lot 555)
Collection of Jay Dandy and Melissa Weber
Ed. 1265.unkn03
Private collection, Zurich [owner deceased May 2020]
Ed. 1265.unkn04
(...)
Owner unknown
{Christie's, New York, October 29, 2008, sale 2044, lot 492}
Ed. 1265.1/20
Sonnabend Gallery, New York City
Ed. 1265.2/20
Collection Leo Castelli, New York City
Dunkelman Gallery, Toronto, September 1968 (via Leo Castelli Gallery, New York City) [erroneously inventoried by Dunkelman Gallery as ed. 5/20]
Gerald Gurman, September 1968 [owner deceased February 1975]
(...)
Owner unknown
City of Carmel-by-the-Sea, Calif., July 1998 (by anonymous donation)
Ed. 1265.3/20
A. James Speyer, Chicago (via Leo Castelli Gallery, New York City) [owner deceased 1986]
Darthea Speyer Collection, Hydra, Greece (by descent)
James M. Speyer, Washington, D.C. (by gift)
{Concept Art Gallery, Pittsburgh, May 21, 2011, lot 198}
Private Collection, Pittsburgh, Penn. (via Concept Art Gallery post-auction sale, Pittsburgh)
(Concept Art Gallery, Pittsburgh, April 23, 2022, lot 342)
Ed. 1265.4/20
Gianni Agnelli, Turin, November 1969 (via Leo Castelli Gallery, New York City) [owner deceased 2003; as of 2012, the Gianni Agnelli Archive in Turin has no information on this work on file]
(...)
Ed. 1265.5/20
Wasserman Development Corporation, Cambridge, Mass., October 1966 (via Leo Castelli Gallery, New York City)
Leo Castelli Gallery, New York City, September 1967
The Woodward Foundation, Washington, D.C., September 1969
Ed. 1265.6/20
{Southampton Art Gallery East, New York, June–October 1966}
Philip Johnson, November 1966 (via Leo Castelli Gallery, New York City)
Mr. and Mrs. Stanley Woodward, Jr., c. 1966 (likely by gift)
(...)
Ed. 1265.7/20
Max Palevsky, Santa Monica, Calif., April 1967 (via Leo Castelli Gallery, New York City)
Ed. 1265.8/20[1] Ed. 1265.8/20[2]
Leo Castelli Gallery, New York City, c. 1966
Ed. 1265.9/20
{Louise Ferrari, Houston, Tex., April–October 1967}
John and Kimiko Powers Collection, Carbondale, Colo., January 1968 (via Leo Castelli Gallery, New York City) [Kimiko Powers, Carbondale, Colo., 1999]
Ryobi Foundation, Carbondale, Colo., 2013 (by transfer)
Ed. 1265.10/20
Galerie Illeana Sonnabend, Paris, May 1966 (via Leo Castelli Gallery, New York City) [Sonnabend Collection]
Ed. 1265.11/20
Irving Blum, Los Angeles, c. 1966 (via Leo Castelli Gallery, New York City; via Ferus Gallery, Los Angeles)
(...)
(Christie's, London, September 21, 2006, sale 7282, lot 577)
Owner unknown
(Piasa, Paris, December 4, 2007, lot 164)
Owner unknown
Ed. 1265.12/20
(...)
(Christie's, New York, October 31, 2007, sale 1897, lot 624)
Owner unknown
Ed. 1265.13/20
(...)
Ed. 1265.14/20
(...)
Ed. 1265.15/20
Owner unknown
(Sotheby Parke Bernet, Los Angeles, May 15, 1972, sale 41, lot 62)
(...)
(Christie's, New York, April 30,1996, sale 8394, lot 554)
Owner unknown
(Christie's, New York, November 3,1998, sale 8990, lot 386)
Owner unknown
(Sotheby's, London, March 22, 2016, sale L16160, lot 93)
Ed. 1265.16/20
(...)
Ed. 1265.17/20
(...)
(Christie's, New York, April 28, 2009, sale 2163, lot 169)
Owner unknown
Ed. 1265.18/20
(...)
Ed. 1265.19/20
Mirja Larsson, September 1968 (via Leo Castelli Gallery, New York City) [Gunter Sachs and Mirja Larsson, St. Moritz, Switzerland]
Estate of Gunter Sachs, 2011
Ed. 1265.20/20
Gopnik Collection, Ontario, December 1968 (via Multiples Inc., New York City)
Exhibitions
Multiples, Inc, New York, New Banners, opened February 12, 1966.
Wichita Art Museum, Wichita, Kansas, Multiples, July 1966. Traveled to: Cedar Rapids Art Center, Cedar Rapids, Iowa, September–October 8, 1966; Albrecht Art Gallery, St. Joseph, Mo., February 2–24, 1967; Loretto-Hilton Gallery, Webster University, St. Louis, Mo., May 19–June 9, 1967; California Institute of the Arts, Los Angeles, Calif., closed October 27, 1967; Art Gallery, Southwestern College, Chula Vista, Calif., November 10–20, 1967 (as Multiples: Art for Everyman); Pioneer Museum and Haggin Galleries, Stockton, Calif., December 1967–January 4, 1968 (as Multiples: Art for Everyman); Union Art Gallery, Weber State University, Ogden, Utah, January–February 9, 1968; Dulin Gallery of Art, Knoxville, Tenn., opened February 28, 1968; Jaffe-Friede Gallery, Hopkins Center, Dartmouth College, Hanover, N.H., opened May 3, 1968; Ithaca College Museum of Art, Ithaca, N.Y., closed June 29, 1968; Nevada Art Gallery, Reno, Nev., July 12–September 16, 1968.
Architecture Building Exhibition Gallery, Princeton University, Princeton, New Jersey, Fourteen Flags Designed by Contemporary Artists, October 31–November 30, 1966.
Danna Center, Loyola University, New Orleans, Group show, December 1966– c.January 1967 (ed. 1265.8/20[1]).
Museum of Art, Rhode Island School of Design, Providence, Rhode Island, Art for Your Collection V, December 7–18, 1966 (ed. 1265.9/20).
Walker Art Center, Minneapolis, Banners and Tapestries, January 8–February 12, 1967.
Pasadena Art Museum, Pasadena, California, Roy Lichtenstein, April 18–May 28, 1967 (Coplans 1967a). Traveled to: Walker Art Center, Minneapolis, Minn., June 23–July 30, 1967 (ed. 1265.11/20).
Galerie Ileana Sonnabend (12 rue Mazarine), Paris, Bannieres, opened June 2, 1967 (ed. 1265.10/20).
Exhibition Hall, Trinity College, Dublin, Banners by American Artists, November 11–December 2, 1967 (Trinity College 1967) (ed. 1265.8/20[1]).
Multiples, Inc, New York, Five Years of Banners, March 30–April 30, 1968.
Arts Center Gallery, Nazareth College of Rochester, Rochester, New York, New York School 1968, April 4–30, 1968 (ed. 1265.5/20).
Dunkelmann Gallery, Toronto, Summer Exhibition, opened June 15, 1968 (ed. 1265.2/20).
John Herron Art Institute, Indianapolis, Painting and Sculpture Today '68, May 12–June 9, 1968 (Contemporary Art Society and Herron Institute 1968) (ed. 1265.4/20).
San Francisco Museum of Art, San Francisco, Untitled, 1968*, November 9–December 29, 1968 (San Francisco Museum 1968).
Auckland City Art Gallery at Auckland Festival, Auckland, New Zealand, Banners from New York, March 12–28, 1969 (Wagstaff, Samuel 1969). Traveled to: National Art Gallery, Wellington, New Zealand, April 11–30, 1969; Robert McDougall Art Gallery, Christchurch, New Zealand, May 1969; Dunedin Public Art Gallery, Dunedin, New Zealand, May 31–June 15, 1969; National Gallery of Victoria, Melbourne, Australia, September 1–November 1, 1969 (NGV and ACAG 1969).
Jewish Museum, New York, Superlimited: Books, Boxes and Things, April 16–June 29, 1969 (Jewish Museum 1969).
Solomon R. Guggenheim Museum, New York, Roy Lichtenstein, September 19–November 9, 1969 (Waldman 1969). Traveled to: William Rockhill Nelson Gallery of Art and Mary Atkins Museum of Fine Arts, Kansas City, Mo., December 18, 1969–January 16, 1970; Museum of Contemporary Art, Chicago, Ill., February 7–March 22, 1970; Seattle Art Museum, Seattle, Wash., April 10–May 17, 1970; Columbus Gallery of Fine Arts, Columbus, Ohio, July 9–August 30, 1970 (ed. 1265.9/20).
Galerie Beyeler, Basel, Switzerland, Roy Lichtenstein, June 19–September 8, 1973 (Beyeler [Galerie] 1973) (ed. 1265.8/20[2]).
Museum für Kunst und Gewerbe, Hamburg, Germany, Gunter Sachs: Retrospektive, August 1–September 21, 2003 (Diener and Sachs, G. 2003) (ed. 1265.19/20).
Scuderie del Quirinale, Rome, Pop Art: 1956–1968, October 24, 2007–January 27, 2008 (Guadagnini 2007) (ed. 1265.unkn01).
Art Institute of Chicago, Chicago, Roy Lichtenstein: A Retrospective, May 16–September 3, 2012 (only Paris) (Rondeau and Wagstaff, Sheena 2012). Traveled to: National Gallery of Art, Washington, D.C., October 14, 2012–January 13, 2013; Tate Modern, London, February 21–May 27, 2013 (as Lichtenstein: A Retrospective) (Dunne 2012); Musée National d'Art Moderne, Centre National d'Art et de Culture Georges Pompidou, Paris, July 3–November 4, 2013 (as Roy Lichtenstein, revised and reorganized) (Dunne 2013); (Pompidou 2013); (Morineau 2013a) (ed. 1265.AP (LC Q)).
Mitchell-Innes & Nash (1018 Madison Avenue), New York, Roy Lichtenstein: The Popular Image, November 10–December 19, 2014 (ed. 1265.unkn02).
Guild Hall, East Hampton, New York, Roy Lichtenstein: Between Sea and Sky, August 8–October 12, 2015 (Guild Hall 2015) (ed. 1265.AP (LC Q)).
Museo delle Cultre, Milan, Roy Lichtenstein. Multiple Visions, May 1–September 8, 2019 (Mercurio 2019a). Traveled to: Musée des Beaux-Arts, Mons, Belgium, December 5, 2020–April 18, 2021 (as Roy Lichtenstein: Visions Multiples) (Mercurio 2020a) (ed. 1265.10/20).
Literature
Nelson, Allen. "Shots, Shoes and Screens." Gazette (Cedar Rapids, Iowa), September 18, 1966, p. A17 not ill.
Waldman, Diane. Roy Lichtenstein. New York: Harry N. Abrams, 1971, no. 132 n.p. b/w ill.
Faton-Boyancé, Jeanne, ed. L'objet d'art. Special issue, Roy Lichtenstein exposition au Centre Pompidou, no. 69 (July 2013), p. 45 color ill. (ed. 1255.AP?) (ed. 1265.AP (LC Q)).
Morel, Francis, ed. Connaissance des arts. Special issue, Roy Lichtenstein, no. 589 (July–August 2013), p. 37 color ill. (ed. 1265.AP (LC Q)).

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Limitation of Liability

RLF AND ITS AFFILIATES, MANAGERS, OFFICERS, EMPLOYEES, CONTRACTORS, AGENTS, VOLUNTEERS, AND ADVISORS, WHETHER IN SUCH CAPACITIES OR INDIVIDUALLY, AND THE HEIRS, SUCCESSORS AND ASSIGNS OF EACH OF THEM (TOGETHER, THE “COVERED PARTIES”) ARE NOT LIABLE FOR ANY CLAIM OF ANY NATURE WHATSOEVER BASED ON LOSS OR INJURY BECAUSE OF ERRORS, OMISSIONS, INTERRUPTIONS, OR INACCURACIES IN THE SITE OR ANY CONTENT AVAILABLE THROUGH IT, INCLUDING LOSS OR INJURY THAT RESULTS FROM YOUR BREACH OF ANY PROVISION OF THESE TERMS.

UNDER NO CIRCUMSTANCES WILL RLF OR THE COVERED PARTIES BE LIABLE FOR ANY DIRECT, INDIRECT, INCIDENTAL, CONSEQUENTIAL, SPECIAL, PUNITIVE, OR EXEMPLARY DAMAGES (INCLUDING LOST REVENUES OR PROFITS, LOSS OF BUSINESS, OR LOSS OF DATA) ARISING OUT OF OR IN CONNECTION WITH YOUR USE OF THE SITE OR CONTENT OR THESE TERMS, REGARDLESS OF THE THEORY OF LIABILITY, WHETHER TORT (INCLUDING NEGLIGENCE), CONTRACT, OR ANY OTHER LEGAL OR EQUITABLE THEORY, EVEN IF RLF HAS BEEN ADVISED OF THE POSSIBILITY OF SUCH DAMAGES.  OUR AGGREGATE LIABILITY TO YOU FOR ANY USE OF, OR INABILITY TO USE, THE SITE OR CONTENT IS LIMITED TO $1000. SOME STATES DO NOT ALLOW THE LIMITATION OF LIABILITY FOR THESE KINDS OF DAMAGES, SO THESE LIMITATIONS OR EXCLUSIONS MAY NOT APPLY TO YOU.

Indemnification

You agree to indemnify, defend and hold harmless RLF and the Covered Parties from and against all demands, loss, liability, claims or expenses (including attorneys’ fees) made against RLF and the Covered Parties arising out of your use of the Site, its Content, or violation of these Terms.

Infringing Material

RLF respects the intellectual property of others and expects users to do the same.  As to allegedly infringing copyrighted works, we comply with the take down and counter notification provisions of the Digital Millennium Copyright Act (“DMCA”), 17 U.S.C.A. § 512, as set forth below. 

We reserve the right to remove or disable access to any Content claimed to be infringing, at any time at our sole discretion, without notice or liability.  In appropriate circumstances, we will also terminate users of the Site who are repeat infringers.

If you believe that Content has been used in a way that constitutes copyright infringement, please provide our designated agent, whose contact information is listed below, with a written notice containing all of the following information (“DMCA Notice”):

  • A physical or electronic signature of a person authorized to act on behalf of the owner of an exclusive right that is allegedly infringed;
  • Identification of the copyrighted work claimed to have been infringed;
  • Identification of the Content that is claimed to be infringing or to be the subject of infringing activity, and information reasonably sufficient to permit us to locate such Content on our Site (such as the URL to each page on the Site containing allegedly infringing material);
  • Information reasonably sufficient to permit us to contact you, such as an address, telephone number, and, if available, an email address;
  • a statement that you have a good faith belief that use of the Content in the manner complained of is not authorized by the copyright owner, its agent, or the law; and
  • a statement that the information in your notice is accurate and, under penalty of perjury, that you are authorized to act on behalf of the owner of an exclusive right that is allegedly infringed.

Our agent designated to receive DMCA Notices may be contacted as follows:

[email protected]

Changes to the Terms

RLF may change these Terms from time to time by posting an updated version on this web page, or, if we determine that it is appropriate, we may provide other notice to you.  Your continued use of the Site after we post updated Terms means that you accept and agree to such Terms.  We recommend checking back on this web page regularly if you use the Site.

Termination

We reserve the right to terminate the Site, these Terms, and any Content, and your access to the Site and/or the Content, at any time without notice, for any reason.  The “Reliance on Information Posted,” “Copyright & Trademark,” “Inclusions in Catalogue Raisonné (or Lack Thereof),” “Additional Disclaimers,” “Limitation of Liability,” “Indemnification,” and “Governing Law” sections of these Terms (along with this provision and any other provision that by its terms contemplates survival) survive any termination of these Terms.

Governing Law

These Terms are the complete agreement between you and RLF regarding your use of the Site and is governed by applicable federal laws and the laws of the State of New York applicable to agreements made and completely performed there.  Any dispute arising out of or in connection with these Terms shall be subject to the exclusive jurisdiction and venue of the United States District Court for the Southern District of New York located in the Borough of Manhattan in the City of New York or, only if such court does not have subject-matter jurisdiction, the Supreme Court of the State of New York, New York County.

You irrevocably agree to bring any claim or dispute relating to your use of the Site and these Terms exclusively in the state and federal courts located in New York, to submit to the exclusive jurisdiction of those courts, and to waive any jurisdictional, venue, inconvenient forum, or other objections to those courts.  

Other

Section titles and headings are for convenience only and have no legal or contractual effect.  The failure of RLF to exercise or enforce any right or provision of the Terms shall not constitute a waiver of such right or provision.  If a court of competent jurisdiction determines that any provision of these Terms is unenforceable for any reason, then that provision will be deleted and the remaining provisions of these Terms will be enforceable to the fullest extent permitted by law.

Questions

Please email [email protected] with any questions you may have about these Terms.